Andreas Fiedler (Ed.)
Combining jarring historical artifacts with the collective memory, German sculptor Asta Gröting (b. 1961) presented her first solo exhibition of Berlin Fassaden at the KINDL, Centre for Contemporary Art (Berlin, 2017). Gröting covered the gallery walls and floors with sculptural silicone impressions of Berlin facades containing traces of bullet holes from World War II. Dust, dirt, and even graffiti were layered over the silicon casts, giving the negative imprints an almost painted effect while embodying trauma and the suspension of time in a ghostly silicone skin. Gröting chose to use her exhibition catalog to create a second interpretation of the work. She assembled a collage-like artist book filled with her raw black and white photographic details of the wall markings set next to documents of her making the wall casts and then connecting the two bodies of work with a running text that identified the corresponding location, dimensions, and date of each wall image. Gröting brilliantly reconstructed these past wounds as architectural traces and translated them into meaningful abstract pictures. Texts by Andreas Fiedler and Deborah Levy.
Softcover / 8 ½ x 12 in. / 56 pp / 46 b&w
Retail Price: $22.00
KINDL, CTR FOR CONTEMP ART, BERLIN