Two Degrees of Separation / Über zwel Ecken
Gareth Long & Nicolaus Schafhausen (Eds.)
Tony Conrad (b. 1940) is considered the first true crossover artist. Composer, experimental filmmaker, sound artist, teacher and writer and video artist, Conrad was an early member of Theatre of Eternal Music, aka The Dream Syndicate, which included John Cale and LaMonte Young among others, and utilized intonation and sustained sound to produce “dream music.” He migrated from music to film in 1960s New York, producing the iconic structuralist film The Flicker (1965). This slim monograph accompanying Conrad’s eponymous exhibition (Kunsthalle Wien) includes critic Jonathan Walley’s essay “A Show That’s Almost Invisible,” on the installation’s relationship to “the woman-in-prison” film subgenre, silent music and Italian Renaissance perspective. In conversation with the artist, German cultural critic Diedrich Diederichsen elicits important insights on Conrad’s unique position in contemporary art. Color photographs of the installation depict Conrad’s ongoing teasing out of the power structures that determine our gazes.
KUNSTHALLE WIEN, AUSTRIA
February 2016 / English & German / Exhibition catalog
Softcover / 5 x 7 ½ inches / 96 pp / 18 color
ISBN: 978-3-95679-169-7 · Retail Price: $18.00
Mike Kelley and John Miller
2001, Exhibition catalog
Softcover, 8 1/2 x 11 inches
64 pp, 1 b&w and 19 color reproductions
ISBN: 0-88865-614-9 · Retail Price: $25.00
This inaugural volume from Oslo Editions gathers edited transcripts from a series of talks held at the Mandrake, an artist-run bar in Los Angeles, on the theme of “contra mundum” or “against the world.” Taking its cue from Evelyn Waugh’s 1945 novel Brideshead Revisited, the contributors consider the collective potential of (anti)sociality and the possibility of building your own world. Subjects include the furniture of Donald Judd, private issue New Age records, the animal as a subject in Hollywood, self-banishment in Shakespeare, zombie films, pirates and piracy, and Mark E. Smith, legendary vocalist for post-punk band, the Fall. Featuring contributions from artists Rupert Deese, Elad Lassry, Anthony Pearson and Frances Stark, and critics Aaron Kunin, Matthew Taylor Raffety, and Evan Calder Williams.
2011 / Softcover / 5.5 x 8.75 inches / 216 pp / 241 b&w
ISBN: 978-0-9830773-0-5 · Retail Price: $18.00
Art After Death
Anne Walsh and Chris Kubick
2001, Volume 1, Audio CD 44:32 TRT
5 1/2 x 5 inch plastic jewel box
8-panel color foldout with text and images
ISBN: 0-9703860-0-1 · Retail Price: $15.00
Sebastian Chichocki and Galit Eilat
A Cookbook for Political Imagination accompanies the exhibition at the 2011 Venice Biennale’s Polish Pavilion titled … and Europe will be stunned. The first book from the Jewish Renaissance Movement in Poland is not a traditional exhibition catalog. Instead, it is a manual of political instructions and “recipes”, delivered by more than 40 international authors. Entries range from manifestos, artistic contributions and fiction to elements of visual identity and guidance for members of the movement. It even contains some actual recipes for food. Designed by Guy Saggee from Shual Studio, Tel Aviv with contributions by Gish Amit, Yazid Anani, Ariella Azoulay, Marek Beylin, Achim Borchardt-Hume, Andrea Geyer, Daniel Hendrickson, Rafał Jakubowicz, Wam Kat, Yuval Kremnitzer, Renzo Martens, Oliver Ressler, Sarah Rifky, Lia Perjovschi and others.
October 2011 / Exhibition catalog
Hardcover / 5 1/2 x 9 1/2 inches / 388 pp / 22 b&w and 66 color
ISBN: 978-1-934105-53-5 · Retail Price: $34.95
Ellen Blumenstein & Heike Catherina Mertens (Eds.)
A first-time publication for fast-moving British collaborative artist Kate Cooper (b. 1984) accompanies her solo exhibition at the KW Institute for Contemporary Art, Berlin, 2015—the result of receiving the 2014 Schering Stiftung Art Award. Cooper is co-founder of artist collective Auto Italia South East, and moves between solo and collaborative works addressing issues of capitalism and commercialism. For the KW Institute, Cooper focused around a fictional space titled Look Book. Through digital videos, installations and digitally altered photographic works, she explores the role of gender and the agency of images. For Cooper, producing images is akin to building infrastructure. Her computer-generated bodies are imbued with power and put to work. The oversized catalog designed to accentuate Cooper’s re-appropriation of female ad images, captures the essence of glossy fashion and lifestyle magazines. Included is a new short story by Hannah Black, texts by Ellen Blumenstein and Christina Weiss, plus subtitles and slogans by Catherine Wood.
KW INSTITUTE FOR CONTEMPORARY ART, BERLIN
February 2017 / Exhibition catalog / Softcover
9 ½ x 13 in. / 80 pp / Full color
ISBN: 978-3-95679-225-0 · Retail Price: $26.00
May 2004, Softcover, 5 1/2 x 8 inches
64 pp, extensive color reproductions
ISBN: 0-9761841-0-9 · Retail Price: $15.00
This gorgeous artist’s book project documents the eponymous collaborative exhibition between Aaron Curry and Richard Hawkins at David Kordansky Gallery in 2011. Brian Roettinger’s book design is a true highlight—the unique smyth-sewn volume has eight page-folded signatures showing detail shots on the external pages, with a perforated- finish top and a flush-cut open bottom that reveals full images of works and installation views in shades of lime green, chartreuse and shocking purple. Reveling in critical juxtapositions—Curry’s sculptures offer evocative reworkings of biomorphic imagery of the mid-century avant- garde; Hawkins’s collages, paintings and installations focus on voyeurism and the male form—both artists draw from high and low culture with equal zeal. Featured texts by Richard Hawkins and Stuart Krimko.
July 2013 / Limited edition of 1000 /
Exhibition catalog / Softcover/ 8 1/4 x 11 3/4 inches / 128 pp / 39 color
ISBN: 978-0-9891598-1-4 · Retail Price: $100.00
John Kelsey and Aleksandra Mir
Nordic Institute of Contemporary Art, Finland
February 2003, English and German text
Softcover, 9 x 12 inches
256 pp, 105 color reproductions
ISBN: 0-9711193-1-7 · Retail Price: $39.95
Timewave zero, then what?
Fabian Marti & Cristina Ricupero (Eds.)
The doomsday phenomenon of “2012” refers to eschatological beliefs predicting transformative events on December 21, 2012. By now, not only spiritual seekers have the conviction that something has to change. Still, there are different interpretations of the meaning of that specific date. Beyond the lunatic fringe views regarding the end of the world, a more constructive reading of the phenom- enon is found in New Age circles, claiming that 2012 might be the beginning of a higher consciousness in humanity upon the realization that, in fact, Western systems have not brought mass prosperity and fulfillment as once imagined. Texts by Gary Lachman and Ana Teixeira Pinto.
URSULA BLICKLE STIFTUNG, GERMANY
January 2013/ German & English
Exhibition catalog / Softcover
7 1/4 x 11 1/4 inches / 134 pp
53 b&w / 68 color
ISBN: 978-3-943365-47-4 · Retail Price: $30.00