Pedro Alvarez

The Signs Pile Up

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ANDREA GEYER / KATYA SANDER

Meaning is what Hides the Instability of One’s Position

You’ll never see an airport the same way again: 22 photographic sequences glimpsing fragments of movements through spaces of transit form the most amazing flip-book ever. Andrea Geyer and Katya Sander’s artist’s book is a riveting photographic exprience that takes us through the so-called “transit areas” of international airports, where you’re officially between states and nations, although still within them. The artists investigate these spaces in a flow of images, meanings and politics, overlaid and interwoven with 130 terms and 57 sentences collected in various airports. In a world where the notion of borders has become both more rigid and more fluid than ever before, the artists spatialize the gap through a vocabulary of hallways, doors, lines and identifications that lead to passages granted or denied.

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Ann Lislegaard

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More from the Danish Pavilion - Artist's Series

ANONYM

In the Future No One Will Be Famous

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ANTJE MAJEWSKI

My Very Gestures

This multi-dimensional exhibition catalog documents internationally recognized artist Antje Majewski’s solo show in Salzburg, Austria. Majewski – best known for photorealistic, figurative paintings grapple with existential questions like friendship, love, masquerade and death – also expresses her interest in the psychology of individuals in relation to society and history through photography, video, film, installation and dance theater, all of which are documented here. In a profound essay, critic Dominic Eichler shows how Majewski’s work is “informed by a progressive form of feminism,” while author Ingo Niermann and curator Sebastian Cichocki contribute other insights. A conversation between the artist and art historian Tanja Widmann reveals some of the personal and philosophical concerns underlying her practice.

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Armin Boehm

The Evil Eye

Berlin-based artist Armin Boehm has become known for his spooky, gothic impasto paintings enticing the viewer into an occult, almost liminal space. This impeccably printed catalog – for Boehm’s first museum show, long overdue – highlights the paintings that result from the artist’s unusual combination of glaze, drippings, metal dust and thickly applied oil; working from pictorial elements in natural colors, Boehm builds layer upon layer, the range of colors becoming darker, until only sporadically shimmering sparks of color testify to the polychrome ground. These engrossing paintings, deeply linked to astronomy, often refer to ritually charged spaces like terror camps or research centers – his dark surfaces develop landscapes, urban views and even interiors. A fascinating young artist.

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Hans Arnold

Monsterland

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Dan Arps

Sunseeker

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Art and Survival

Patricia Johanson’s Environmental Projects

Caffyn Kelley

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FRAMMENTI DELL’ ARTE POVERA

Jannis Kounellis and Mario Merz

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