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LORIS GRÉAUD

Trajectories And Destinations

Paris-based Loris Gréaud’s projects and exhibitions are often the result of collaborations with scientists, geo-biologists, engineers, filmmakers, writers, and sound and graphic designers. His varied background in music and cinematography provides an expanded framework for his frequently cryptic installations which test both the given characteristics of the mediums he employs and the expectations of the audience. Trajectories and Destinations is an artist book documenting a selection of the works of Gréaud, who was the winner of the Ricard S.A. award for most innovative artist under 40 in France. Daniel Birnbaum’s contribution consists in a kind of “cut-up remix” of an excerpt from George Kubler’s Space of Time.

Sternberg Press, Berlin/New York
2009 / English & Spanish / Hardcover
6 x 9 3/4 inches / 168 pp / 150 b&w
ISBN: 978-1-933128-67-2 · Retail Price: $34.95

Tue Greenfort

Photosynthesis

Nicolaus Schafhausen
LUKAS & STERNBERG, NEW YORK
Series 014
English and German text / 2006 / Softcover
4 3/8 x 6 3/4 inches / 124 pp / 15 color
ISBN: 0-9745688-0-5 · Retail Price: $19.95

ION GRIGORESCU

The Man with a Single Camera

Alina Serban (Ed.)

The Man with a Single Camera provides an extraordinary overview of Ion Grigorescu’s body of work since the late 1960s until today. Regarded as one of the key protagonists of Eastern European conceptualism, the Romanian artist advocates a radical convergence between the organic and spiritual, an uninhibited immersion of life into art.

STERNBERG PRESS, BERLIN
ASOCIATIA PEPLUSPATRU, ROMANIA
2014, English &
Romanian / Exhibition catalog
Hardcover / 8 1/2 x 11 inches
362 pp / 358 b&w and 189 color
ISBN: 978-3-95679-015-7 · Retail Price: $36.00

ION GRIGORESCU

Diaries 1970–1975

Georg Schöllhammer & Andreiana Mihail (Eds.)

Following their recent monograph on this understudied conceptual painter— perhaps the most significant Romanian artist of the communist period— Sternberg Press presents a more intimate look into Ion Grigorescu’s practice. His diaries from the crucial years from 1970 to 1975 are a small literary and art-historical sensation. The publication of these diaries corrects the facile reading of Grigorescu’s practice in the context of Conceptual art and performance and provides intimate insight into the artist’s multifocal thinking. In a single work, his synapses can fire off an original critique of modernism, the dystopian effects of a rationalist positivism, an analysis of subjectivity and a penetrating gaze into the dialectic of secrecy and revelation. An important and recuperative document of the artist whose work was recently shown at the Venice Biennale and Tate Modern, Diaries 1970–1975 is illustrated with key examples of Grigorescu’s paintings, films, and photographs.

STERNBERG PRESS, BERLIN
July 2014 / Hardcover
5 1/2 x 8 1/2 inches / 248 pp / 164 b&w and color
ISBN: 978-3-95679-051-5 · Retail Price: $35.00

ULRIKE GROSSARTH

Were I Made of Matter, I Would Color

Sabine F olie & Ilse Lafer (Eds.)

In her contributing essay to this substantial and beautifully illustrated retrospective catalog, German artist Ulrike Grossarth states that the title—Were I Made of Matter, I Would Color—proposes a counter-model to the Descartian formula “I think therefore I am,” a position she sees as existing in a state of incompleteness between consciousness and disembodiment. Sketches, objects and installations draw connections between her early years as a dancer in the 1970s and 1980s, her sculptural settings and action/performance pieces along with her recent works focusing on the relationship of the subject to the material realm in history. The artist’s “actions” from 1978 to 1987, which followed her critical engagement with modern dance, are discussed by art historian/gallerist Rainer Borgemeister. Essays by cultural theorist Mieke Bal, art historian Michael Glasmeier and scholar Elliot R. Wolfson discuss Grossarth’s practice in relation to history, the body, and polymorphism.

STERNBERG PRESS, BERLIN
GENERALI FOUNDATION, VIENNA
January 2015 / English & German
Exhibition catalog / Hardcover / 7 1/2 x 9 3/4 inches
352 pp / 172 b&w and 79 color
ISBN: 978-3-95679-068-3 · Retail Price: $50.00

EVA GRUBINGER

Decoy

Decoys, lures, mooring rings, docks: Berlin-based sculptor/installation artist Eva Grubinger looks deeply into the symbology of the alluring, using fishing as her metaphor in this slender, softcover exhibition catalog. The Austrian Grubinger first attracted international attention with her solo presentation, Dark Matter, in which she translated her long- term exploration of social systems of control into an impressive precise architectural form. In recent years, she’s investigated the definition of public, institutional, and museum spaces through installations and objects that re-define the “rules” of whatever control game society is playing. With texts by Carson Chan and Martin Hochleitner, this book offers another view on this important, multi-faceted artist.

STERNBERG PRESS, BERLIN LANDESGALERIE LINZ, AUSTRIA
August 2012/ Softcover/ 10 x 12 3/4 inches/ 60pp/ 40 color
ISBN: 978-3-943365-05-4 · Retail Price: $29.95

Andreas Gursky

Snoeck, Germany
2007 / Exhibition catalog / Hardcover
10 x 13 inches / 158 pp / 65 color
ISBN: 978-3-936859-62-1 · Retail Price: $125.00

Watercolors

Mats Gustafson

“The fragility of Mats Gustafson’s art is almost tangible,” Berndt Arell writes. “Landscapes, portraits pervaded with eroticism, and fashion illustrations – Gustafson’s brush is adept at them all.” Mats Gustafson, Watercolors is the first overview publication to date on one of the most admired illustration artists of our time. Known for his subtle and haunting fashion illustrations, intimate portraits, and scenes of nature, Gustafson began his career as an illustrator in the late 1970s, at a time when editorial illustration was eclipsed by photography and watercolor as a conceptual medium had barely been explored. The elegant and expressive character of Gustafson’s watercolor, pastel and cut-out paperworks expanded the possibilities of fashion illustration and nearly single-handedly reinvigorated the genre. Published to coincide with a major retrospective exhibition of Gustafson’s work at the Millesgarden in Stockholm in 2013, the volume includes texts from Stockholm’s Nationalmuseum director Berndt Arell and former Interview editor-in-chief and art critic Glenn O’Brien.

August Editions
July 2013 / Hardcover /
9 1/2 x 13 1/3 inches / 72 pp / Full color
ISBN: 978-0-9859958-2-9 · Retail Price: $65.00

SIGNE GUTTORMSEN

Signe Guttormsen
SNOECK, GERMANY
February 2007, English and German text
Exhibition catalog, Softcover, 9.5 x 8.25 inches
144 pp, 150 color reproductions
ISBN: 978-3-936859-54-6 · Retail Price: $42.00

Grit Hachmeister

Grit

Annie Godfrey Larmon & Alise Upitis (Eds.)

Berlin-based artist Grit Hachmeister presents 48 self-portraits, multiple drawings, collaged visual narratives and staged photographs she has produced over the past 10 years in this extensive and revealing monograph. Her sometimes humorous, gender-critical work employs sexual and figurative imagery to provoke and question how women portray and “market” themselves. Motifs from childhood often tied together by a warped, abstract treatment of the figure collide uncomfortably with adult themes. Featured are three essay/interviews by the artist exploring her process and underlying concerns in making the work along with her freestyle writing that accompanies a selection of drawings and a foldout poster. Hachmeister studied photography at the Academy of Fine Arts in Leipzig and is part of a “second wave” of the Leipzig School. She received a Pollack-Krasner Foundation Grant in 2014 and had her most recent solo exhibition at the ASPN Gallery in Leipzig (2015).

SPECTOR BOOKS, LEIPZIG
July 2015 / English & German
Softcover w/ poster / 8 1/4 x 11 3/4 inches
180 pp / 20 b&w and 120 color
ISBN: 978-3-95905-001-2 · Retail Price: $45.00