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ROEE ROSEN

The Blind Merchant

Internationally recognized Israeli-American writer, filmmaker and artist Roee Rosen (b. 1963) juxtaposes text and image, history and its revision in the publication of her artist book The Blind Merchant (1989–91). Produced at a moment when the idea of originality was being questioned, this compelling artist book shows that classic stories are open for new angles of approach that reflect the time of their reading. Composed of three elements: the complete text of Shakespeare’s The Merchant of Venice; a “parasitical” text by Rosen from the perspective of Shylock running alongside the play; and 145 pen-and-ink drawings presenting Rosen’s approach to the drama’s staging and casting of characters. The artist uses the blind drawing technique to depict Shylock, the blinded merchant in this dramatic retelling of the Shakespearian tragedy. Blind Merchant accompanies a solo exhibition at Tel Aviv Museum of Art (2016) plus a foreword by Joshua Simon. Past Sternberg publications include the cult classic Justin Frank: Sweet Sweat (2009) and Maxim Komar-Myshkin: Vladimir’s Night (2014).

STERNBERG PRESS, BERLIN
October 2016 / Softcover / 8 ½ x 11 ¼ in.
312 pp / 145 b&w
ISBN: 978-3-95679-186-4 · Retail Price: $32.00

MATHILDE ROSIER

Ceremonially Infused

French artist Mathilde Rosier creates atmospheric environments which draw on her interest in the occult, Freudian analysis and ancient rites and rituals. This full-color exhibition catalog, Rosier’s first monograph, brings together the artist’s exquisite paintings with her sculptural assemblages, installations and film. These specially constructed environments evoke a journey between conscious and unconscious realms, using motifs like a bed or a cat representing a threshold to buried psychic states. The dreamlike elements transport the viewer into a heightened sensual state. The book combines drawings and text to provide direct access to this richly imaginative artist’s intellectual world. With commentary by curator Claudia Emmert.

SNOECK, GERMANY
April 2012 / English & German / Exhibition catalog
Softcover / 8.5 x 10.5 inches / 128 pp / 140 color
ISBN: 978-3-940953-95-7 · Retail Price: $45.00

DIETER ROTH & ARNULF RAINER

Collaborations

Barry Rosen (Ed.)

The dark humor and conceptual intensity of Fluxus pioneer Dieter Roth and painter Arnulf Rainer were concentrated exponentially in their sustained collaboration. Since 1974, the creation of their almost 500 shared works has been shrouded in wild anecdotes. Though both were keen to let their individual ideas collide freely, resulting in works of comedic performativity and pictorial wit, for the most part this body of work is totally separate from their individual oeuvres. This gorgeously designed and overscaled exhibition catalog reproduces their mixed media paintings, drawings and Misch- u. Trennkunst graphic works, alongside stills from their (quite athletic) performances. Often, the slender Rainer would provoke the larger and more corpulent Roth to aggression or even physical altercation. The catalog includes texts from curator Robert Fleck and Dieter’s son, Björn Roth, who was also a frequent collaborator from the 1980s on.

SNOECK, GERMANY
HAUSER & WIRTH, LONDON
July 2014 / Exhibition catalog / Softcover
10 1/4 x 13 inches / 166 pp / 50 b&w and 100 color
ISBN: 978-3-86442-084-9 · Retail Price: $72.00

EVA ROTHSCHILD

Michael Dempsey & Doro Globus (Eds.)

The candy-colored, serpentine forms of Eva Rothschild’s sculptural compositions present a refreshingly whimsical take on modernism’s forms and utopian ideals. Owing obvious debt to Minimalism, Pop and Color Field, the Irish-born artist has lately found herself on the international stage with exhibitions at the Nasher Sculpture Center, NY Public Art Fund, and the Tate Modern. This exhibition catalog, accompanying a solo exhibition at her hometown Dublin City Gallery, features extensive installation photographs of her recent sculptures as well as a tongue-in-cheek series of gallery visitors holding her “snakes.” Essays from noted critic Brian Dillon and curator Michael Dempsey examine her development as an artist and her ties to art history.

RIDINGHOUSE, LONDON
January 2015
Exhibition catalog / Softcover
9 1/2 x 13 inches / 96 pp / 40 color
ISBN: 978-1-905464-91-3 · Retail Price: $32.00

Alun Rowlands

Three Communiqués

Book Works, United Kingdom
2008 / Three Pamphlets with Gatefold Binding
4 3/4 x 7 1/4 inches / 80 pp / 5 b&w and 5 color
ISBN: 978-1-870699-91-4 · Retail Price: $28.00

The Royal Art Lodge

Women and Children

The Canadian art group the Royal Art Lodge, currently made up of Marcel Dzama, Neil Farber, and Michael Dumontier, used Farber’s dining room table to create the 160 tiny (7.6cm x 8.9 cm) paintings on wood featured in this book. The deliberately crude, almost comicbook-like pictures, typical of this groundbreaking collective, include vague and puzzling epigrams, exploring the dreamy and melancholic thoughts we have about women and children-the fears, the sadness, and the desire to protect both. A powerful essay by Guido Bartorelli examines how The Royal Art Lodge exemplifies what Marshall McLuhan called “low-definition” media-and how fitting its approach and affect are in this technological age.

Perugi Artecontemporanea, Italy
September 2008 / Hardcover / 9 3/4 x 6 1/4 inches
96 pp / extensive color
ISBN: 978-88-87327-15-1 · Retail Price: $55.00

Julika Rudelius

Soft Intrusion

This impressive exhibition catalog for German video artist Julika Rudelius offers an extended survey of her varied output, including stills from her videos, described as “part reportage, part mockumentary, part performance, part short film.” Throughout the last ten years, Rudelius has participated in many international exhibitions; however, there have been few opportunities to appreciate the different aspects of her oeuvre. Whether she’s homing in on a bunch of rich Manhattan 12-year-olds or an evangelical black community in suburban Netherlands, her work involves artificial relationships, communication strategies and encounters with virtual strangers. Her videos often reenact moments in which unconscious gestures or glances reaffirm prejudices. Featured texts by Dominic Eichler, Jenny Schlenzka and Katja Schroeder.

Sternberg Press, Berlin/New York
2010 / English & German / Exhibition catalog
Softcover / 8 3/8 x 11 1/4 inches / 164 pp / 103 color
ISBN: 978-1-933128-97-9 · Retail Price: $27.95

Robert Ryman

Critical Texts Since 1967

Vittorio Colaizzi and Karsten Schubert

This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman’s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics: Yve-Alain Bois, Douglas Crimp, Arthur C. Danto, Donald B. Kuspit, Lucy R. Lippard, Barbara Rose and Roberta Smith. Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi.

Ridinghouse, London
2009 / Softcover / 6 x 8 1/4 inches / 388 pp
ISBN: 978-1-905464-09-8 · Retail Price: $59.95

Sabine Bitter & Helmut Weber

Autogestion, or Henri Lefebvre in New Belgrade

Autogestion, an artist book by Bitter and Weber, is structured around an unpublished text written in 1986 by French philosopher and urbanist Henri Lefebvre. The text was part of a proposal with French architects Serge Renaudie and Pierre Guilbaud to the International Competition for the New Belgrade Urban Structure Improvement in Yugoslavia. In his rethinking of the urban vision, Lefebvre rejects the failed formulas embraced by modernist capitalism and urban planning and emphasizes the processes and potentials of self-organization of the people of any urban territory. It is from Lefebvre’s essay that Bitter and Weber pick up the dialogue and formulate their own theoretical ideas for a more successful urban environment.

Sternberg Press, Berlin/New York
The Fillip Review, Canada
January 2010 / English & French / Exhibition catalog Softcover / 6 1/2 x 9 1/2 inches / 160 pp / 9 b/w
ISBN: 978-1-933128-77-1 · Retail Price: $27.00

Sabine Bitter / Helmut Weber

Right, to the City

An exciting exhibition catalog of recent work by the dynamic duo of Sabine Bitter and Helmut Weber, artists based in Vancouver and Vienna, who, since 1993, have collaborated on projects addressing urban geographies, architectural representations and related visual politics. This book, the most extensive publication so far for these artists dedicated to urban culture and theory, includes photos, collages, drawings and installations from cities such as Belgrade, Vancouver, Paris, Bucharest and Caracas. They authored the recently released “urban re-thinking” manual by Sternberg and FILLIP, Autogestion, or Henri Lefebvre in New Belgrade. Their photo and video works engage with specific moments and cultural logics of (neo-liberal) globalization, as they are materialized in architecture as a frame for spatial meaning.

Fotohof Editions, Austria
July 2010 / English & German / Exhibition catalog
Softcover / 6 1/2 x 9 1/2 inches / 192 pp / 150 color
ISBN: 978-3-902675-32-3 · Retail Price: $39.95