Saul Steinberg: The Americans

Andreas Prinzing (Ed.)

In 1958, illustrator Saul Steinberg, a well-known gallery and mural artist as well as a celebrated contributor to The New Yorker, was tasked to design a mural for the US Pavilion at the Brussels World’s Fair. The resulting vibrant, boisterous, and gently satirical collage, named simply The Americans, depicted the diversity of modern life through Steinberg’s eyes—from the small town to the big city, from the drugstore counter to the baseball diamond, from cocktail party sophisticates to middle American farmers. The 240-foot, eight-panel collage of brown paper cutouts, fabric and wallpaper fragments, clippings from comic strips and other ephemera was shown by the Museum Ludwig, Cologne, for the first time since the fair. This full-color exhibition catalog offers a critical reappraisal of the project, including a biographical essay from Iain Topliss and an essay from Melissa Renn contextualizing the mural within the collages of the historical avant-garde and mid-century pop sensibilities, as well as texts from Phillip Kaiser and Inga Rossi-Schrimpf.

Snoeck Verlag
Summer 2013 / Exhibition Catalog / Softcover
9 x 10 1/2 in / 200 pp / 140 color
ISBN: 978-3-86442-043-6 · Retail Price: $65.00


The Long Goodbye

Snoeck, Germany
2008 / Exhibition catalog / English & German
Softcover / 11 x 12 inches / 88 pp / 39 color
ISBN: 978-3-936859-80-5 · Retail Price: $54.00


Artistic Processes: The Opening-up of Art

Marietta Franke

Readily viewable on YouTube, German artist Stephan Reusse’s mesmerizing green laser mice—incredibly realistic in their scuffling movements—demonstrate his aim of transferring physical objects into images through various types of photographic processes. In this comprehensively illustrated monograph, curator Marietta Franke describes Reusse’s photo-based artistic processes over the past 30 years, thematically linking bodies of work that include artist portraits, animal photographs and thermographs with neon pieces and laser sculptures. Reusse, who was energized by the contemporary Southern California scene of the 1990s during two years of teaching at Cal Arts and Cal State Long Beach, has also been influenced by Joseph Beuys and Paul Thek.

October 2012/ Hardcover/ 8 x 10 1/2 inches/ 192 pp/ 200 color
ISBN: 978-3-86442-008-5 · Retail Price: $58.00


Blue Plow, A Survey 1979-2000

Armory Center for the Arts, Pasadena
2000, Softcover, 7 1/2 x 8 1/2 inches
42 pp, 36 b&w and color reproductions
ISBN: 1-893900-02-9 · Retail Price: $22.00


Nude and Landscape

The distinctive hand-made collages of contemporary British artist John Stezaker are most often associated with his appropriated cinematic imagery. But this new exhibition catalog focuses on his non-cinematic found-images, the sources of which he’s been mining for three decades. Published for the first time, the artist’s Bridge landscape collages and the anatomical nudes of his Fall and Expulsion series are presented. Over 40 full-color images accompany texts by curator Sid Sachs, who explores the relationship between the landscape and the nude, and artist Elizabeth Manchester, who looks at the role of “The Source” in Stezaker’s work. An inspiration for anyone interested in Stezaker’s always fresh and thought- provoking image-making.

October 2012 / Softcover
7 3/4 x 9 1/2 inches
128 pp / 42 color
ISBN: 978-1-905464-53-1 · Retail Price: $29.95


Film Stills

British artist Stezaker’s latest book comprehensively catalogs works in his series of film still collages, a project that began in 1979. The phenomenally popular series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before shifting towards the indistinguishable mass of 1940s and early 1950s low-budget studio films. Featuring collages based on a combination of film still excisions and superimpositions, this volume includes previously unpublished works. Bringing together Stezaker’s earliest film still collages to his most recent, this publication follows on from Ridinghouse titles Masks and Marriages, with full color illustrations accompanied by an essay and interview between David Campany and the artist.

April 2012 / Softcover / 8.25 x 10.5 inches
144 pp / 63 color
ISBN: 978-1-905464-41-8 · Retail Price: $29.95



Ridinghouse, London
The Approach, London
2008 / Exhibition catalog / Softcover
8 1/4 x 10 3/4 inches / 56 pp / 19 color
ISBN: 978-1-905464-08-1 · Retail Price: $39.95



Ridinghosue, London
The Approach, London

2008 / Exhibition catalog / Softcover
8 1/4 x 10 3/4 inches / 56 pp / 18 color
ISBN: 978-1-905464-11-1 · Retail Price: $39.95

John Stezaker

Tabula Rasa

A small but engaging exhibition catalog on one of Britian’s great contemporary collage artists. Tabula Rasa features work made across a 32-year span elegantly uniting the central themes in the art of John Stezaker. Silkscreens on canvas from the early 1990s along with film-still collages from the 1990s and 2009 are brought together for the first time. An important overview of this master collage artist whose work centers around the notion of screens, voids and cut-outs. An essay by Michael Bracewell, ‘The Space Between’, looks at the connections between the 13 selected works. Includes detailed installation views from Stezaker’s recent exhibition at The Approach, London.

Ridinghouse, London
2010 / Exhibition catalog / Softcover
9 x 10 5/8 inches / 40 pp / 17 color
ISBN: 978-1-905464-30-2 · Retail Price: $25.00


Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage. In this extensive monograph/exhibition catalog, Stezaker focuses on the dialectics innate in the work; life and death, seeing and blindness, male and female, love and betrayal, portrait and landscape, and more. Included are works ranging from 1977 up to the most recent series from 2010, introducing lesser-known groups such as ‘Sublimes’ and ‘Lost Tracks’ alongside his famous ongoing series including ‘Masks’ and ‘Marriages’. The largest monographic catalogue on Stezaker to date, the publication features texts by Dawn Ades and Michael Bracewell and a conversation between the artist and Daniel Herrmann and Christophe Gallois, with over 80 images of the artists’ work.

2011 / Exhibition catalog / Softcover
8.25 x 10.25 inches / 224 pp / 110 color
ISBN: 978-1-905464-33-3 · Retail Price: $49.95