Anna Colin (Ed.)
In Anabases filmmaker and visual artist Eric Baudelaire revisits the political and personal saga of the Japanese Red Army as ‘anabasis’s’—an allegory of a journey into the unknown and return home.
Aileen Burns & Johan Lundh (Eds.)
Gordon Bennett: Be Polite™ follows the Institute of Modern Art, Brisbane (2016) exhibition of largely unseen works on paper by one of Australia’s most visionary and critical artists, Gordon Bennett (1955–2014).
Dicks of Death
For over ﬁve decades, New York–based feminist artist Judith Bernstein’s most powerful and intense relationship has been with her work.
Michalis Pichler (Ed.)
Seth Siegelaub, (b.