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Time Machine Series

ALEX CECCHETTI

ALEX CECCHETTI

A Society That Breathes Once a Year

In a mesmerizing story from the Time Machine series, a man and a woman begin the project of building an isolated, sustainable farm in the north of Canada, cut off from civilization. Paris-based author/artist Alex Cecchetti places the protagonists in a non-linear narrative, driving through the tawdry present, only to realize a future set deeply in the past. Haunted by the specters of dead rabbits and a prophetic bear, the couple’s utopian dream is delivered in a rapid, dense stream of language, as if the text itself wants to return to the pace of present. Editor Francesco Pedraglio chooses works from open submission, allowing us to consciously experiment with all our imaginable histories and expected futures.


KIT POULSON

KIT POULSON

Ice Cream Empire

London-based painter, writer and performance artist Kit Poulson is one of the busiest people in the contemporary British art scene, creating everything from sound art installations to carnival floats to this zany, experimental narrative. Three characters freed from the flow of causality intertwine through the experience of conversation. Evoking the writings of Malevich and Schwitters, the pastoral moments of Traffic and the ventriloquized insanity of Little Richard, history is revealed as a flow of conversations glancing off random precious artifacts, all shaped by the fluid, crystalline structure of the most delicious of desserts, ice cream. Ice Cream Empire is commissioned as part of the Time Machine, a project that asks us to forget about archives and embrace the confusion of the present, in order to consciously experiment with all our imaginable histories and expected futures.


MARK GEFFRIAUD

MARK GEFFRIAUD

The Curve of Forgotten Things

Another fascinating narrative experience from the seminal Time Machine series, edited by Francesco Pedraglio. Paris-based artist Mark Geffriaud takes the reader and writer on two opposite journeys, from the preface and in reverse from the “postface.” Where the sections meet halfway, the reader finds a discussion with an anthropologist about a ceremonial dialogue between two people of a Jivaroan tribe, in which the two participants barely listen to each other but speak almost from the other’s point of view, creating a rhythm, and a game. The slippages, gestures, duality and rhythms are replayed in the framing sections in which two voices appear, drift apart into two columns, run parallel then syncopated, before slowly merging again.


PAUL BUCK

PAUL BUCK

A Public Intimacy (A Life through Scrapbooks)

Paul Buck – poet, playwright, artist, performer, translator and teacher – is one of those rare and amazing people who has made every part of his life into art. “Improvisation is at the heart of my existence, and improvisation is based on preparation and self-discipline,” writes Buck. He was at the heart of the contemporary art scene in “Swinging London” during the 1960s, and in the 70s founded the seminal magazine, Curtains, which brought writers like Derrida, Bataille and Paul Auster to the foreground. This intimate book, part of Bookworks’s engrossing Time Machine series, is essentially an archive in the form of a scrapbook of the life Buck has led, bringing together cuttings, clippings and comments (both fiction and non-) to tell the history of the counter-currents and counter-cultures that he has lived through. Among the figures included are Kathy Acker, Maurice Blanchot, Marc Almond, Genesis P-Orridge, Raul Ruiz, Jean-Patrick Manchette and Susan Hiller.


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