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CREATIVITY AND OTHER FUNDAMENTALISMS

Pascal Gielen

The magic word these days is “creativity,” and not just for artists: business managers and policymakers alike demand it. Even family therapists and mediators urge us to find more creative solutions. At present, creativity is all about positive morality. But what remains of the meaning of the word when just about everyone is using it to death? And where does this hunger for creativity come from? Isn’t it instead a sign of a creeping loss of true creativity? Author Pascal Gielen, the director of the research center Arts in Society at Groningen University and a specialist on art and Post-Fordism, relates the story of the process of the social (re)creation of creativity by taking readers on a fictive eight-day journey. The second in a series issued by the Mondriaan Fund to promote thinking about visual art and artisthood.

JAP SAM, THE NETHERLANDS
MONDRIAN FUND, THE NETHERLANDS
September 2013 / Hardcover / 4 3/4 x 7 1/3 inches 120 pp
ISBN: 978-90-76936-39-0 · Retail Price: $25.00

CRITICAL SPACIAL PRACTICE 1

What Is Critical Spatial Practice?

Nikolaus Hirsch & Markus Miessen (Eds.)

What, today, can be understood as a critical modality of spatial practice? This question, and others, were posed to protagonists from the fields of architecture, art, philosophy, and literature by architectural theorists and curators Nikolaus Hirsch and Markus Miessen in September, 2011. The resulting 64 contributions in this inaugural volume of the Critical Spatial Practice series co-presented by the Städelschule, were composed concurrently with the evictions of Occupy movements, sustained turmoil of the Arab Spring, and continued spasms in the global financial system. All point to the question of whether architecture can still be understood as a res publica. Each title in the series will include new work commissioned by invited artists—here, the photographer Armin Linke.

STERNBERG PRESS, BERLIN
January 2013/ Exhibition catalog Softcover/
4 1/4 x 6 inches/ 162 pp/ 8 color I
ISBN: 978-3-943365-27-6 · Retail Price: $22.00

CRITICAL SPATIAL PRACTICE 2

The Space of Agonism

Markus Miessen & Chantal Mouffe

The political theory of agonism emphasizes potentially progressive outcomes for political conflict; thinking in terms of “demoicracy”—a union that acknowledges and makes room for deeply ingrained societal divisions—this book proposes new approaches to countering and responding to the globalizing thrust of neo-liberalism. The second volume in the Critical Spatial Practice series, it presents a selection of conversations between Markus Miessen and political philosopher Chantal Mouffe. These dialogues attempt to unpack current political dilemmas through consensus-driven formats of political decision-making, alternately driven by Miessen’s specific concerns regarding conflict-based forms of participation as an alternative (spatial) practice in democratic systems and Mouffe’s understanding and theory of a “conflictual consensus.” An artist project by Rabih Mroue accompanies the text.

STERNBERG PRESS, BERLIN
January 2013/ Exhibition catalog Softcover/
4 1/4 x 6 inches/ 132 pp/ 23 color
ISBN: 978-3-943365-41-2 · Retail Price: $22.00

CRITICAL CONVERSATIONS IN A LIMO

Melbourne + San Francisco

Holly Crawford (Ed.)

Following 2012’s riotous and insightful Outsourced Critics & Critical Conversations in a Limo, this neat paperback chronicles two more incarnations of the limo conversations series. Describing itself as a moment in art, a movable salon and an experimental space, the project invites strangers, artists, curators and critics to sip champagne, gossip and talk about contemporary art in a traveling “white box.” What unfolds is an astute and playful take on the art world. This informative new book transcribes the nervous laughter and unexpected conversations of the project’s Melbourne (2007) and San Francisco (2008) happenings. Participants include BAM and Pacific Film Archive Director Larry Rinder, SF Chronicle art critic Kenneth Baker, Sydney CCP director Naomi Cass, and Artspace director Alexie Glass plus many more.

AC BOOKS, NEW YORK
July 2014 / Softcover
7 x 10 inches / 356 pp / 40 b&w
ISBN: 978-1-939901-04-0 · Retail Price: $12.00

The Crossdresser’s Secret

Brian O'Doherty

Sometimes truth is both stranger and more delightfully entertaining than fiction. The 18th century was an era of violent contrasts and radical change, intellectual brilliance and war, spies and diplomatic intrigue, elegance and cruelty. One of the century’s most mysterious figures was the Chevalier d’Eon, one of history’s first known transvestites who lived as both man and woman. The noble-born d’Eon served as a spy for the French government, infiltrating the Russian court as a maid of honor to the empress. He became so well known for his activities that he lived the last 30 years of his life openly as a woman (and a European celebrity). Written from the perspective of this historical figure, this ambitious novel from much-loved conceptual artist Brian O’Doherty reveals d’Eon’s radical modernity, certified by his attitudes to gender and his examination of his own nature.

STERNBERG PRESS, BERLIN
2014 / Softcover
5 x 7 2/3 inches / 496 pp
ISBN: 978-3-943365-96-2 · Retail Price: $32.00

CULTURES OF THE CURATORIAL 3

Hospitality: Hosting Relations in Exhibitions

Beatrice von Bismarck, Benjamin Meyer-Krahmer & Thomas Wesk (Eds.)

Every curated encounter involves hospitality, with curators in the role of host and the invited—artists, audiences and even exhibits—as guests. The economy of this hospitality—the space, time and money as well as attention, power and recognition involved in inviting, offering, welcoming, attending, reciprocating and its opposite, the refusal, exclusion and control that exhibitions can generate— is the subject of the third volume in this highly respected and collected series from the Academy of Visual Arts Liepzig. Fifteen contributors including curator- critics Maja Ciric, Lorenzo Fusi, Wiebke Gronemeyer, Anthony Huberman and theorist-performative researcher Erik Hagoort discuss how the asymmetries and dependencies of these roles continuously change in relation to one another, ponder how the aesthetic, social, political and economic ramifications are paradigmatic of generosity within the cultural field, and consider ambivalent or problematic interdependencies of hosts and guests that can be caused by conditions of globalization.

STERNBERG PRESS, BERLIN
ACADEMY OF VISUAL ARTS, LEIPZIG
May 2016 / Softcover
5 ½ x 8 ¼ inches / 272 pp / 40 b&w
ISBN: 978-3-95679-089-8 · Retail Price: $26.00

CULTURES OF THE CURATORIAL 2

Timing: On the Temporal Dimension of Exhibiting

Beatrice von Bismarck, Rike Frank, Benjamin Meyer-Krahmer, Jörn Schafaff & Thomas Weski (Eds.)

Curators and artists went wild for the first publication Cultures of the Curatorial out of the Leipzig School postgraduate study program. The second volume, Timing, follows the same research practices and format but focuses on the terms processuality, performativity and, more recently dramaturgy (the theory of dramatic composition) and choreography, terms used to analyze how exhibitions and curatorial practice have evolved over the past twenty years in the wider context of cultural and economic globalization. Nearly 20 contributors, including Bassam El Baroni, Claire Bishop, Maeve Connolly, Philippe Parreno and Bennett Simpson, weigh in on the wider cultural and economic concepts that have conditioned us to think about something as seemingly static as an art exhibition as sites of acceleration, action, orientation and mobility. Examined in this light, the exhibition emerges as a transdisciplinary and transcultural set of spatiotemporal relations—time-based by its very nature.

STERNBERG PRESS, BERLIN
ACADEMY OF VISUAL ARTS, LEIPZIG
Release Date: October 2014
Softcover
5 1/2 x 8 1/4 inches / 396 pp
ISBN: 978-3-943365-99-3 · Retail Price: $26.00

THE CURATOR’S EGG

The Evolution of the Museum Concept from the
French Revolution to the Present

Karsten Schubert

Art dealer, publisher, and writer Karsten Schubert traces the concept of the museum from the opening of the Louvre, through to the mid-20th century shift from heralding ancient work to supporting living artists, to the current popularity of buildings by “starchitects.” This landmark third edition adds a provocative essay, “Democracy of Spectacle,” discussing the recent trend of museums adopting a populist and income-based business model. Schubert includes an engrossing history of the Metropolitan Museum and MoMA from 1930-1950, and of the unprecedented success of museums in the 1980s and 1990s in Europe and the United States. This unique volume will completely change the way you look at museums.

Ridinghouse, London
2009 / Softcover / 6 x 8 1/4 inches / 187 pp
ISBN: 978-1-905464-20-3 · Retail Price: $35.00

JULIAN DASHPER

This Is Not Writing

The first collection ever of writing by the internationally acclaimed and widely exhibited New Zealand artist Julian Dashper, who died in 2009. Dashper’s writing – clean yet reflective, poignant and often confrontational – reads like a diary, moving from freeform texts to poetry, from journal-like reflections to rigorous art criticism. His relaxed style engages the reader, offering a deeply human contrast to academic tomes. His critical observations on the influence of Modernism on the way we look at contemporary art are particularly powerful. He was an early factor in forcing the art community to open its doors and hear voices from around the world, and his curiosity, humor and passion make us realize what was lost with his death at only 49.

CLOUDS, NEW ZEALAND
MICHAEL LETT, NEW ZEALAND
April 2012 / Hardcover / 6.5 x 9.25 inches / 188 pp
ISBN: 978-0-9582981-9-3 · Retail Price: $35.00

PAUL DE JONG

Spoken World

Corinn Gerber (Ed.)

Musician and sound artist Paul de Jong is best known as cofounder, cellist and resident “found sound” savant of the beloved, now-defunct collage-pop duo, the Books. This voluminous artist book, conceived as the first in an infinite series of Spoken World(s), presents de Jong’s transcriptions of well over 35,000 sound samples rearranged into “texts resembling poetry.” The artist’s audio collection of sound and spoken word was garnered in countless visits to thrift stores all over North America during the Books’ tours: no rare treasures, but a never-ending cycle of the myriad of self-help, meditation, religious and self-education records, tapes, cassettes and videos that are not yet considered cultural trash and thrown out, yet form the subconscious of North American popular culture. As poetic arrangements, they amplify the serendipitous magic of some of these words, and expose the monstrous madness of others.

PASSENGER BOOKS, BERLIN
October 2015 / Softcover
7 x 4 1/4 inches / 192 pp / 192 b&w and 2 color
ISBN: 978-3-940215-18-5 · Retail Price: $15.00