Life – Photography – Death

Geoffrey Batchen

The magic of photography is its unique power to capture a moment in the past to be viewed in the present, to capture a subject suspended between life and death. This evocative, beautifully written catalog from Japan’s Izu Photo Museum documents an inspired exhibition that looks into photography’s mystical way of suspending time – with an innovative mix of photos from Japan and the West. Even with the relatively recent inclusion of vernacular photos in “serious” photography collections, the study of the art form has remained almost entirely Euro-centric. Yet in Suspending Time, curator Geoffrey Batchen (a professor at City University New York) opens the door to using Japanese vernacular photos – and what a treasure-trove he’s found! Among the sections is one of memorial “cabinet cards” and funerary photos, from Mexico, France, the United States and Japan. A delightful collection of snapshots shows the shadow of the photographer; “group portraits in which both subject and object are figured in eternal union,” writes Batchen. He includes photos by professionals Lee Friedlander and Daido Moriyama to make his point. With over 100 beautiful plates of cabinet cards, Daguerreotypes, photography jewelry, tintypes, Japanese ambrotypes, and Mexican sculptures. Includes essays by Batchen, Yoshiaki Kai and Masashi Kohara.

Nohara Co. Ltd., Japan
Izu Photo Museum, Japan
2010 / English & Japanese / Exhibition catalog
Hardcover / 6 x 8 1/2 inches / 258 pp
16 b&w and 106 color
ISBN: 978-4-904257-08-1 · Retail Price: $45.00



For five years, Hungarian photographer Lilla Szász photographed women living in shelter houses, focusing on elderly women, young girls who had become criminals and homeless mothers. Her main question was how women find happiness in these extreme circumstances of life. In Daughters, Szász asked the young girls what the word “beauty” meant for them. The girls then organized the photo-shoot; they behaved in front of the camera the way they wished to be seen by the viewer. The outcome is their result, their image—of happiness and a better life. With an additional text from Zsófia Somogyi.

January 2013/ Edition of 350 Softcover/
8 x 10 inches/ 80 pp/ 31 color
ISBN: 978-3-902675-58-3 · Retail Price: $39.95


The Clinic

Francesco Bonami

The hard-driving German photo-based artist Juergen Teller’s 50th-birthday present to himself was a stay at a European rehabilitation facility. His raw, diaristic images from that stay, presented with a metallic cover in a zine-like format from CFA, Berlin, are intermixed with historical family photographs taken by Teller’s father, who had committed suicide when he was young. A brief essay by curator Francesco Bonami explores Teller’s method of “dramaturgical shooting” as a way of creating a dramatic and sometimes comedic distance between himself and the viewer. In this way, Teller—the subject of many of his own images—suggests that what we are seeing is not real, but a way someone is experiencing the real. Juergen Teller’s work in books, magazines or exhibitions, and often in collaboration with fashion houses and designers, is marked by his refusal to separate his commercial fashion imagery from his autobiographical, uncommissioned images.

February 2016 / English & German Exhibition catalog / Softcover
9 ¼ x 12 ½ inches / 84 pp / 90 color
ISBN: 978-3-86442-153-2 · Retail Price: $39.95


Pictorial Narratives Created from Vintage Press Photographs

Murray Moss

Description: ter·ti·um quid: noun, Late Latin, literally, third something; a third party of ambiguous status

“A press photograph is defined by its function, which is to infuse a text with visual meaning in the telling of a news story,” Murray Moss writes in his introduction. Assembled from his own unique collection of archival, annotated, and published prints that were acquired in the past two years from the photo morgues of a moribund newspaper industry, these original photographs are “for the first time shown publicly without the newspaper text they were originally assigned to accompany. Rather, I have paired these images, at my own discretion, with other orphaned press images, putting them in dialogue, and in the process creating for each image a new narrative—a new life, a third story, a tertium quid.”

In turns humorous, striking, mysterious, and always surprising — these photographs reveal an undiscovered side of their personality through these pairings. Unwittingly, they have become starring characters in new narratives that are both revealing and delightful. “Some are duets, or fugues.” Moss writes, “Some dance a pas de deux. Many are six degrees incarnate. And others are conversations between strangers who share a bench in the park and discover common ground.”

Reproduced at the actual size of the original photos, with both the front and the often annotated back presented with equal importance, these artifacts, “retired now from their labors, are akin to those exceptional functional objects that have served their time and have later come to be appreciated, even coveted and exalted, for the extraordinary qualities that lie outside of their original function.”

Tertium Quid is a personal tribute by Murray Moss to a lost newspaper culture, a love letter to the often unsung press photographer, and a transformative elixir to the power of the image. Tertium Quid is published in a limited edition of 1250 copies, each sequentially numbered.

About the Author: Murray Moss is a Principal, along with his partner Franklin Getchell, of Moss Bureau, a multi-platform provider of strategic design consulting and curatorial services. Prior to establishing the Bureau, Moss was the founder and creative mind behind the internationally renowned Moss design gallery, which was established in 1994 and in its eighteen years continuously created new paradigms for design communication. August Editions is a New York-based publishing venture focused on contemporary visual culture.

May 28, 2014

Hardcover / 11 x 11 1/4 inches
204 pp / 200 color
ISBN: 978-0-9859958-3-6 · Retail Price: $75.00


The Ralph M. Parsons Foundation Photography Collection

The Museum of Comtemporary Art, Los Angeles
2000, Exhibition catalog
Softcover, 9 1/4 x 11 1/2 inches
168 pp, 125 duotone and 11 color reproductions
ISBN: 0-914357-74-3 · Retail Price: $39.95


Franziska Von Gagern, Zoltán Jókay, Ulrike Myrzik Peter Neusser, Andrew Phelps, Wolfgang Thalerr
2006 / English and German / Exhibition catalog
Hardcover with dust jacket / 12 x 9 3/4 inches
128 pp / 70 b&w and 57 color
ISBN: 3-901756-65-5 · Retail Price: $39.95



Otmar Thormann’s latest work takes the form of an artist’s book, its content personally selected from his archive of photographs and its stringent editing resulting in an immutable sequence. The spectrum ranges from early street photography of postwar Graz and Vienna to the Surrealist-influenced still lifes that begin in the early 1970s. On this personal quest for the origins of his interest in photography, Thormann links his classic photographs into an associative medley of images. References to photographic greats such as Josef Sudek, Hans Bellmer and Christer Stromhölm come to mind when looking at the artist’s long career. The images are complemented by eleven short stories by Thormann, which explore the strange incidents and events in his (photographic) life. Thormann’s work is in the collection of major institutions worldwide, including LACMA.

2014 / English, German
& Swedish / Softcover
8 1/4 x 10 1/2 inches / 192 pp
60 b&w and 25 color
ISBN: 978-3-902675-87-3 · Retail Price: $58.00


A Question(ing) of Gesture

This expansive exploration of gesture – a wink, a nod, a shrug – is a unique and rich convergence of performance art, visual art, video, literary art, architecture, and theater, led by Tina Bara and Alba D’Urbano, professors at the Academy of Visual Arts in Leipzig. The book itself is the culmination of various efforts by more than 50 international artists, first showcased in 2006 at Leipzig’s famed Opera House as well as other venues, and collected in this weighty exhibition catalogue brimming with dozens of full-color photos and extensive commentary. Intriguing and captivating, the elongated softcover was designed with an exposed, clear binding and full-color slipcase. Include texts from Joachim Brohm, Harun Farocki, Fiona Tan among others.

Fotohof Editions, Austria
2009 / English & German / Softcover w/slipcase
11 x 81/ 2 inches / 252 pp / extensive color
ISBN: 978-3-901756-91-7 · Retail Price: $49.95


A Book by Florian Göttke

Life as an absolute dictator may not be all it’s cracked up to be. Artist Florian Gottke collected a huge number of images of the toppled statues of Saddam Hussein on the Internet, and then started looked at them carefully. A close reading of these images reveals an astonishing amount of information about what happened in Iraq, about the statues’ desecration and humiliation, their transformation from manifestations of Saddam’s totalitarian power into icons for the defeat of his regime, their expulsion from the public sphere, their appropriation into his enemies’ museums and their symbolic reinterpretation for use in anti-war protests. Even in our modern image culture, the ancient magical link between the person (Saddam) and his representation (statue) is still alive in the human psyche.

Post Editions, The Netherlands
2010 / Softcover / 6 x 9 1/2 inches / 150 pp / Extensive color
ISBN: 978-94-6083-016-7 · Retail Price: $39.95



For photo-based Swiss artist Andreas Tschersich (b. 1971), Peripher refers to an aesthetic and structural moment when places of transit and transition have exceeded classification, standardization and demarcation. To capture this moment, the artist has combined assorted medium-sized negatives to create large urban images without perspectival distortion. The final large-scale prints create a haunting series that explores a peopleless and what looks like abandoned city landscapes but are actually various cities around the world, Charleroi to Detroit, Kawasaki to Liverpool and into New York City. The more than 90 photographic montages presented in the publication capture the artist’s cool minimal urban work to date. The subject matter of this digitally constructed work firmly roots Tschersich in the mid- and late 20th-century photographic tradition of recording man’s relationship to the built environment represented by the banal unpeopled cityscapes of the New Topographics and the architectural folios of Bernd and Hilla Becher. Tschersich lives and works in Berlin.

October 2016 / Hardcover
13 ¼ x 10 in. / 166 pp / 90 color
ISBN: 978-3-906803-07-4 · Retail Price: $60.00