Andreas Baur & Tina Plokarz (Eds.)
For over 40 years British artist Hamish Fulton has been transforming walks into works of art. From Soho to Saskatchewan, from his home in Kent to the peaks of Nepal, he has trekked, hiked and trudged the world in solitude covering between 30 and 50 miles a day, depending on the terrain, in all weathers. His walks all over the world, conveyed in wall drawings and images, photographs and objects, quietly protest the excesses of urbanization in a sympathetic but uncompromising way. Walking Transformation, the new exhibition catalog documenting the nucleus of the recent exhibition at Villa Merkel in Esslingen, chronicles his walks in Tibet and India. With essays by writers Andreas Baur, Freddy Langer, and Tina Plokarz and illustrated with 30 color plates of works and installations from the exhibition.
VILLA MERKEL, GERMANY
January 2015 / English & German
Exhibition catalog / Hardcover / 12 x 9 inches
68 pp / 30 color
ISBN: 978-3-86442-092-4 · Retail Price: $49.95
Pop or Populus
Art Between high and Low
The alienation between high culture and its public is a fundamental conflict of art in our times. Writer Bettina Funcke, the United States editor of the cutting-edge British art journal Parkett, develops a theory of contemporary art in response to our moment, when artists and critics must respond to art’s unprecedented popularity. Selecting texts from important philosophers and art theorists of the last century, including Friedrich Nietzsche, Jacques Rancière, Theodor W. Adorno, Clement Greenberg, Benjamin Buchloh, and Boris Groys, Funcke uses the theoretical framework they provide to explore a dialectic of art propelled by tension between the enduring history of art and the domineering presence of mass culture. Funcke’s work has also been published in Afterall, Artforum, Public and Texte zur Kunst.
April 2010 / Softcover / 5 1/2 x 8 1/2 inches
220 pp / 15 b/w and 23 color
ISBN: 978-1-933128-89-4 · Retail Price: $24.95
The Mechanical Copula
“The first thing you notice is nothing. It takes your eyes a little while to get used to this, after ten seconds you can’t remember looking at anything else,” writes Maria Fusco, founding editor of The Happy Hypocrite, in “How You Lost the Stars,” part of her first collection of short stories. Stripping bare the accord of culture and commodity, this sequence of stories tracks the slimy path of social mobility with serious playfulness and an eye for the absurd. Tales of Donald Sutherland fucking a doll, two men eating a clown and how the obsessive searching through garbage cans can transform trash into meaning, this is a book about the porous relationship between the extra-mundane and the average. Maria Fusco is Director of Art Writing at Goldsmiths, University of London.
February 2011 / Softcover / 5 x 7.5 inches / 120 pp
ISBN: 978-1-934105-19-1 · Retail Price: $19.95
In this book/DVD combo, Niermann, everybody’s favorite kindacomic provocateur asks, “Could a single object transform the future of art? Could an artist succeed in merely creating this one object?” With artist Erik Niedling, Niermann starts asking art-world figures for advice on his quest to create an artwork of epochal importance; the results, on paper and video, will surprise you. With guidance by Thomas Bayrle, Lady Jaye and Genesis Breyer P-Orridge, Olafur Eliasson, Boris Groys, Damien Hirst, Gregor Jansen, Terence Koh, Marcos Lutyens, Philomene Magers, Antje Majewski, Hans Ulrich Obrist, Thomas Olbricht and Tobias Rehberger; and commentary by Chus Martínez. Including the DVD The Future of Art by Erik Niedling and Ingo Niermann (HD, 157 min.).
April 2012 / Softcover w/ DVD / 5.5 x 8 inches
320 pp / 37 b&w
ISBN: 978-1-934105-63-4 · Retail Price: $29.95
A Variation on Powers of Ten
Amy Franceschini & Michael Swaine
The interstellar rollercoaster ride of Charles and Ray Eames’ experimental 1968 film, The Powers of Ten, changed the way that the average American thought about science. In this project, the art and design collective Futurefarmers used the Eames’ IBM-commissioned film’s opening picnic scene as its inspiration and score. Researchers whose work relates to each one of the magnitudes of ten compare today’s practices with those of 1968 and discuss the changing land- scapes of their respective fields. The collaboration came about through a residency at the University of California, Berkeley. Included in the publication are essays by Futurefarmers members, interviews with researchers, and documentation of ten delightfully re-staged picnics, representing fields of inquiry from philosophy to ecology. Contributors include Peter Galison, Jake Kosek, Rick and Megan Shaw Prelinger, Sara Seager, and Ignacio Valero.
BILDMUSEET, UMEÅ UNIVERSITY, SWEDEN
January 2013 / Hardcover
9 1/2 x 9 inches / 168 pp
33 b&w, 33 color
ISBN: 978-3-943365-43-6 · Retail Price: $35.00
Doro Globus & Elli Resvanis (Eds.)
British installation artist Anya Gallaccio, now living in San Diego, works largely with natural materials—typically flowers, trees, sugar and salt—to create often site-specific installations focusing on the decomposition and transformation of the organic materials. Gallaccio’s work shifts between minimal approaches to form and a highly intuitive process. This exquisite monograph catalogues the artist’s work over 20 years of her impressive career (she was one of the Young British Aartists from the 1980’s, short-listed for the Turner Prize, withexhibitions at the Stedelijk and the TATE Britain). Numerous essays explore Gallaccio’s work; also includes an artist interview by Clarrie Wallis, andtexts by Lucía Sanromán, who investigates the role of the landscape; Norman Bryson analyzing the notion of ‘psychic fantasy’ in the installation blessed; Briony Fer, who discusses the artist’s use of natural light and earth; and Jan van Adrichem looking at Gallaccio’s move to bronze casts.
April 2013/ Exhibition catalog / Hardcover
10 x 12 inches/ 256 pp/ Full color
ISBN: 978-1-905464-60-9 · Retail Price: $49.95
Now in his nineties, American painter Charles Garabedian is hardly a household name. But he is a highly influential artist whose works are collected by LACMA, the Met, MoMA, the Whitney, the Corcoran and the Smithsonian, among other institutions, and the subject of this extensively illustrated exhibition catalog from the Santa Barbara Museum of Art. This revelatory group of intimate representational paintings and drawings – from Garabedian’s first museum show in almost 30 years – explores themes of war, music, the body, dismemberment, heroism, comic pretention, love and death. An exciting discovery of surprising importance.
2011 / Exhibition catalog / Hardcover / 9 x 11 inches
200 pp / 16 b&w and 102 color
ISBN: 978-0-89951-111-5 · Retail Price: $39.95
All the Stories
“A man/a woman recites all the stories of the world in a loud voice. When she is done, all the stories, all men and women, all time and all places will have passed through her lips.” With the minimum of instructions and a restricted format of four lines, no more, Dora García’s collaborative and participatory project in the form of a blog has now collected over 2,500 stories. This 500-page paperback contains every story submitted from the blog’s beginning in 2004 to the start of 2011. Collected in book form for the first time, the stories range from mundane to the extraordinary, four-line vignettes revealing the shared fears and fantasies of the contributors, the pervasiveness of popular culture and the possibilities of the imagination.
Eastside Projects, Birmingham
October 2011 / Softcover / 5 7/8 x 8 1/4 inches / 526 pp
ISBN: 978-1-906012-36-6 · Retail Price: $39.95
Mad Marginal, Cahier #4
I See Words, I Hear Voices
Chantal Pontbriand (Ed.)
Mad Marginal Cahier #4, the massive 400-page reader on Spanish multidisci- plinary artist Dora Garcia, edited by Chantal Pontbriand, brings together major essays by international authors who delve into different threads of Garcia’s research. In her recent exhibitions, Exhausted Books (2013) and Mad Marginal Charts (2014), García uses compulsive writing, collective reading, endless or circular books, graphomania and the parallels and intersections between reading and writing to examine the wellsprings of artistic experience, alter the traditional relationships between artist, work and viewer, and question the daily behavior of the individual through performance, film and discussion. Mad Marginal Cahier, in which Garcia creates an abstract mapping of references central to her idea of marginality as an artistic position, marks this new cycle of works. Contributions by Caroline Andrieux, David Dorenbaum, Dora García, Maria C. Havstam, Christa-Maria Lerm Hayes, Vanessa Ohlraun, Britta Peters, Chantal Pontbriand, Kjetil Røed, Margit Säde, Caroline von Taysen and David Tomas.
February 2016 / English & French / Softcover
5 ¾ x 8 ¼ inches / 400 pp / 31 b&w and 16 color
No ISBN · Retail Price: $32.00
Mad Marginal – Cahier #2 : The Inadequate
Are artists crazy? Is that a good thing? Is being an outsider a requirement for creating truly tradition-shattering art? Mad Marginal, part of the Spanish Pavilion at the 2011 Venice Biennale, is a project by Brussels-based Spanish artist Dora García. She uses the tradition of anti-psychiatric and anti-institutional movements as a prism to look at the work of artists who have either consciously chosen to remain outsiders or been defined as outsiders by others. Through a series of conversations documented in this book, which is presented in the form of notebooks, García explores the relationship between radical politics and radical art during the 1970s, and follows the theme to today. Includes conversations with Claudia De Michelis (Museo Laboratorio della Mente), artist Cesare Pietroiusti and Nicola Valentino (co-founder of the publishing house Sensibili alle foglie).
October 2011 / Exhibition catalog
Softcover / 5 7/8 x 8 1/4 inches / 432 pp / 144 color
ISBN: 978-1-934105-50-4 · Retail Price: $34.95