Poul Gernes


Only during the past decade has an audience outside Denmark started to take notice of the great Danish artist Poul Gernes (1925-1996), which led to this ground-breaking retrospective exhibition and its catalog. Gernes, who believed that the person behind the artwork was irrelevant, rejected easel painting early in his life, feeling that it was more important to combine art with a useful function. He called himself a “decorator,” and created more than 150 site-specific interiors and exteriors all over Denmark. Gernes founded the Experimenting Art School, known as the Eks-Skolen, in 1960, and tirelessly promoted the idea of art as a socially conscious, collective enterprise. This beautiful catalog also includes his 48 x 48-inch “target paintings,” their clear and vibrant colors typical of Gernes commitment to the simplest and most immediate expression of art.

Snoeck, Germany
February 2011 / English & German / Exhibition catalog
Hardcover / 9.75 x 11 inches / 280 pp / 400 color
ISBN: 978-3-940953-55-1 · Retail Price: $105.00


A catalog from the uber-hip GEM Museum of Contemporary Art in The Hague reveals the latest work by the increasingly important twin brother team of Gert and Uwe Tobias. In their virtuoso style, the pair of Cologne-based artists has opened a new chapter in their creative oeuvre: huge 81-by-68-inch works that pay homage to the ancient still-life tradition. These monumental, woodblock-based works, which also combine gouache and collage, are also shown here in eye-popping installation photos. The brothers create a contemporary Cabinet of Curiosities, juxtaposing classical themes like flora, fauna or food with surreal, jarringly bright colors. In barely a decade of work, the Tobias brothers have become major artists, represented in all important collections; here’s a perfectly presented sample of their freshest, most provocative work.

Snoeck, Germany
D'Jonge Hond, The Netherlands
August 2011 / English & German / Exhibition catalog
Hardcover / 8 3/4 x 11 3/4 inches / 88 pp / 4 b&w and 86 color
ISBN: 978-3-940953-80-3 · Retail Price: $59.95


The striking woodcuts and other works of Romanian-born twin brothers, Gert and Uwe Tobias, are linked to the folkloric and ornamental styles of their native land, mixed with pop culture, fantasy and social commentary. This large-format, full-color exhibition catalog, their third book, is the first art historical monograph of their work, featuring reproductions of their amazing gigantic woodcuts, made in a complicated and time-consuming process. The book also includes numerous documentations of their exhibition installations, showing the way the Tobias brothers fence in whole areas with display cabinets, drawing pads or series of prints. Extensive interviews and interpretive texts in English and German shed light on their artistic method.

Snoeck, Germany
September 2008 / Exhibition catalog
English & German
Hardcover / 9 1/2 x 11 1/2 inches
184 pp / extensive color
ISBN: 978-3-936859-76-8 · Retail Price: $69.95


Laboratory of Synthesis (Vol.#1)

Robert Garnett and Andrew HUnt
Book Works, United Kingdom
Kingston University, United Kingdom
2008 / Softcover / 4 3/4 x 61/2 inches / 96 pp / 10 b&w and 10 color
ISBN: 978-1-870699-96-9 · Retail Price: $25.00


Meaning is what Hides the Instability of One’s Position

You’ll never see an airport the same way again: 22 photographic sequences glimpsing fragments of movements through spaces of transit form the most amazing flip-book ever. Andrea Geyer and Katya Sander’s artist’s book is a riveting photographic exprience that takes us through the so-called “transit areas” of international airports, where you’re officially between states and nations, although still within them. The artists investigate these spaces in a flow of images, meanings and politics, overlaid and interwoven with 130 terms and 57 sentences collected in various airports. In a world where the notion of borders has become both more rigid and more fluid than ever before, the artists spatialize the gap through a vocabulary of hallways, doors, lines and identifications that lead to passages granted or denied.

2011 / Softcover / 6.75 x 8.25 inches
256 pp / 256 color / 2 b&w pamphlets
ISBN: 978-1-933128-94-8 · Retail Price: $34.95


Max Hollein & Esther Schlicht (Eds.)

Alberto Giacometti (1901–1966) and Bruce Nauman (b. 1941) both lived during times of cultural crisis and turmoil—Giacometti experiencing the crippling effects of two world wars and Nauman, the birth of the Cold War, surveillance and the rise of technology. The surprising and hitherto overlooked connections between the works of these two artists from two different generations are the subject of both the current Schirn Kunsthalle exhibition and its accompanying catalog. Both Nauman’s and Giacometti’s oeuvres revolve primarily around the image of man and the human condition. With reduced means of representation, each artist explores fundamental existential questions: the emptiness, the relationship between figure and space, and the fragmented body. Illustrated with over 200 color plates, this critical hardcover publication features essays by critic, curator and painter Robert Storr, art historian Thierry, cultural historian and sound art curator Gaby Hartel and exhibition curator Esther Schlicht, all of whom expand our perception of the significant commonalities in the work of these outstanding representatives of 20th- and 21st-century art. Giacometti emerges as a pioneer of key developments in art after 1960, regaining his original radicalism, while Nauman continues his outstanding importance as a sculptor, photographer, video and performance artist of behavioral and psychological encoding. Seen together they achieve an alternative historical significance.

October 2016 / Exhibition catalog
English & German / Hardcover
9 ½ x 11 ¾ in. / 192 pp / 200 color
ISBN: 978-3-86442-180-8 · Retail Price: $60.00


The Tiger’s Mind

Filmmaker Beatrice Gibson is inspired by historical music practices that propose more egalitarian methods of production between composers and performers. In 2010, Gibson and typographer Will Holder began a project with the intention of using experimental British composer Cornelius Cardew’s musical score, The  Tiger’s  Mind (1967), as a guide to producing improvised speech. Since the verbally (rather than graphically) rendered score concerned the changing relations between six performers, practitioners from other fields were invited to conversa- tions at Künstlerhaus Stuttgart, Kunstverein, Amsterdam, and CAC Brétigny over the course of the next two years. Each conversation produced a printed document to serve as a score for subsequent meetings. This book is a document of their process, culminating in the making of Gibson’s eponymous film.

January 2013/ Softcover w/ inserts/
9 1/4 x 11 1/2 inches/ 144 pages/ 63 b&w
ISBN: 978-3-943365-50-4 · Retail Price: $30.00


GRR30: Urban Recordings

Passenger Books, Berlin
2007 / 3rd edition / Softcover / 5 1/4 x 7 1/2 inches 352 pp / extensive b&w
ISBN: 978-3-00-018496-3 · Retail Price: $35.00

Liam Gillick

How Are You Going to Behave? A Kitchen Cat Speaks

This book documents Gillick’s project for the German Pavilion at the Venice Biennale 2009. It contains an introduction by the curator, a text by Liam Gillick about his work as well as the text spoken by the kitchen cat present in the show: “She speaks from the present and fights against the echoes of building’s interior. It’s history is one of misrepresentation, misunderstanding and desires. Thus, the pavilion becomes a location for endless self-circulating histories that—in the end—represents our history as well.”

Sternberg Press, Berlin/New York
2009 / English & German / Exhibition catalog
164 pp / 6 x 9 inches / 40 color
ISBN: 978-1-933128-74-0 · Retail Price: $19.95

Liam Gillick

Born in 1964, the prolific Liam Gillick was one of the artists – including Damien Hirst and Angela Bulloch – who dominated British art through the 1990s. He’s spent years as the post-conceptual crowd-pleaser, with a controversial solo show in the German pavilion at the Venice Biennale 2009 only the most recent triumph. His sculptural forms and settings seem terse, yet, writes curator Robert Fleck, “they evince a strong – almost celebratory – intellectual presence.” This monumental 256-page, full-color catalog serves as a comprehensive mid-career retrospective, compiled by the artist himself. With his muscular combination of words, forms and ideas, the works are both narrative and non-narrative. For example, in “The State itself Becomes a Super Whatnot,” a vivid aluminum and Plexiglas installation derives, in the artist’s words, “from Brazilian research into Scandinavian car production.” Gillick has created over 2000 multi-dimensional works exploring – in his casual, playful yet deeply political way – ideas about capitalism, social organizations, social volatility and the myriad possibilities of instability. The New York-based artist’s quest has continually been something of a causal chain that investigates concepts such as utopia, parallelism, space and time, using them all as a search for utopia. As Gillick says, “One long walk … Two short piers …” The definitive volume so far on this incessantly interesting and rigorous artist. With texts by Nicolas Bourriaud and Isabelle Moffat.

Snoeck, Germany
2010 / English & German / Exhibition catalog
Hardcover / 9 1/2 x 11 inches / 256 pp / 500 color
ISBN: 978-3-940953-40-7 · Retail Price: $99.95