Bleckede 2009 / Rochechouart 2011

British artist Charlotte Moth began to assemble the texts in this book during her residency at the German artists’ retreat center, Schloss Bleckede, in 2009. Her work is essentially photographic, but it grows out of sculpture, architecture and cinema, as well as the exploration of documents and archives. Moth invited artists, writers, and curators to respond to the materials she chose; the book collects a selection of those responses that have recently been part of the artist’s projects or are yet to become a part of it. Moth conceived this book as a further elaboration of her artistic practice, linking different projects that have been realized since 2009. This book accompanies her solo exhibition “The Absent Forms.” Featured essays by Guy Brett, Maeve Conolly, Mathieu Copeland, Olivier Michelon, Charlotte Moth, Sadie Murdoch, Francesco Pedraglio and Alice Peinado.

April 2012 / Softcover
4.5 x 7 inches / 112 pp / 1 b/w
ISBN: 978-1-934105-68-9 · Retail Price: $16.00


Federica Bueti (Ed.)

Dedicated to protest and language, Move…ment is the fourth issue of the journal …ment, which invites contributors to formulate and reframe the concept of resistance, particularly as conceived within their daily experience and plurality of desires. This visual and inventive issue includes a firsthand account of the role of social media in the current protest movements in Spain, fiction that counteracts the populist neoliberalism and pervasive Institutional Revolutionary Party (PRI) in Mexico, and a report of how Internet activists offered their knowledge and technical support to reconnect protestors during the recent Egyptian revolution. Contributions by Pauline Boudry & Renate Lorenz, Rana Hamadeh, Abraham Cruzvillegas, Jan Verwoert and Kathy Acker and more.

September 2013 / Softcover / 7 3/4 x 11 3/4 inches 112 pp / 10 color
ISBN: 978-1-906012-49-6 · Retail Price: $16.00


A Man, A Village, A Museum

Incorporating texts from his diary, photographs and drawings, Chinese artist Li Mu (b. 1974) tells the story of the naissance, development and completion of a unique art project he embarked on in 2012. Inspired by a brief residency at the Van Abbemuseum in Eindhoven, Netherlands, Li Mu re-created Western modern- ist artworks by artists Sol LeWitt, Dan Flavin, Richard Long, Andy Warhol, Daniel Buren, Carl Andre, and Ulay and Marina Abramovic in carefully chosen locations in his hometown, Qiuzhuang—a small village 800 kilometers south of Beijing. For more than a year, he engaged the villagers in discussions about the artworks. Organized by season, Li Mu’s narrative conveys the thoughtful character and inquiring attitude that initiated and guided the process from beginning to end. Together with a foreword by Abbemuseum director Charles Esche, interviews with the artist, reviews, photographs and Li Mu’s watercolor-and-ink drawings— this journey makes a great read!

February 2016 / Exhibition catalog / Softcover
5 ¾ x 7 ½ inches / 288 pp / 7 b&w and 70 color
ISBN: 978-94-91677-46-5 · Retail Price: $29.95


ORIGINALE: Einladungskarten 2005–2013

Swiss-based German artist Thomas Müllenbach’s (b. 1949) series Semi-originals (2005–13) is the point of departure for this substantial monograph on the artist’s interpretation of the countless invitations to exhibitions and art events he found in his mailbox every day—documentary evidence, as it were, of the day-to-day art scene. Transposing this ephemera into watercolor pictures of his own—from Dürer to van Gogh, Giacometti to Dieter Roth, figurative treatments to abstract color composi- tions—Müllenbach’s watercolors play on their familiarity. Neither forgeries nor copies, Müllenbach’s “handmade appropriations” subvert the collective understanding of the sense, purpose and value of the visible and question our understanding of the familiar. Lush and well presented, the simple watercolors are accompanied by each original artist’s name discreetly noted on the opposite page. This publication coin- cides with the upcoming major survey of Müllenbach’s work at the Kunsthalle Zürich.

February 2016 / Exhibition catalog / English & German
Softcover / 6 ½ x 9 inches / 368 pp / 178 color
ISBN: 978-3-905929-90-4 · Retail Price: $55.00


Licht / Light

Peter Lodermeyer (Ed.)

This luminous monograph is the first retrospective on Dutch minimalist light artist Jan van Munster, whose works recall the best of Dan Flavin’s. Though he has shown widely throughout Europe and Japan, he has remained little-known to American audiences. This extraordinarily beautiful book follows van Munster’s work from his early discovery of American minimalism, specifically the California Light-Space Movement in 1969. The development of his work, frequently constructed in neon, began with pieces in galleries and museums and has blossomed through its engagement with the streets and public spaces of cities, where he has erected large-scale pillars of light and brightly glowing installations.

August 2012/Hardcover/ 9 1/2 x 12 1/2 inches/ 172 pp/ 34 B&W and 86 color
ISBN: 978-94-90322-25-0 · Retail Price: $75.00


Thomas Thiel (Ed.)

An artwork in itself, the catalog Museum off Museum accompanies a two-part exhibition held over five months at Bielefelder Kunstverein in which seven artists explore the “museum as a space of reflection.” The exhibition, curated by Thomas Thiel, comprised multiple artistic and scientific approaches to museum-based narrative including installations, talks and a blog. The book beautifully documents each of the exhibition phases and clearly presents the many contributions to this substantial project. Its episodic organization suggests its encyclopedic nature. Designed in large-format hardcover with full-color broadsheet-scaled pages printed on newsprint, many of the sections are accompanied by extensive footnotes. The work of artists Ozlem Altin, Kader Attia, Isabel Cornaro, Simon Fujiwara, Camille Henriot, Jeremy Deller & Bruce Lacey, Slavs and Tatars among many other contributors comprise more than 30 artistic and scientific statements in the form of essays, interviews, visual statements and exhibition documents.

January 2015 / English & German
Exhibition catalog / Hardcover / 10 1/2 x 14 1/4 inches
192 pp / 232 color
ISBN: 978-3-95679-072-0 · Retail Price: $38.00


Da Capo, Fifteen Films

Marco Scotini (Ed.)

Over 20 years of production and more than 200 exhibitions around the world by Lithuanian video artist/filmmaker Deimantas Narkevicius constitute the first comprehensive overview of his filmic production on the failures of modernist utopias. Accompanying the artist’s solo exhibitions at Museo Marino Marini and Le Magasin, Da Capo is a substantial hardcover book with commentary by 16 authors on 15 of Narkevicius’s films made between 1997 and today, each introduced by the artist’s personal statement.

2015 / Exhibition catalog / Hardcover
6 ¾ x 9 ¼ in. / 352 pp
310 b&w and 148 color
ISBN: 978-3-943620-28-3 · Retail Price: $32.00

Rosalind Nashashibi

Proximity Machine

Book Works, United Kingdom
2008 / Softcover / 73/4 x 11 inches
80 pp / 77 color
ISBN: 978-1-870699-89-1 · Retail Price: $32.00


Downscaled and Overthrown

The works of inventive young Swiss artist Shahryar Nashat pose questions about part of the museum experience that’s rarely considered – the display itself. Whether he’s using photography to focus on the plinth supporting an Renaissance sculpture (and chopping off the sculpture itself at ankle or knee), or incongruously pairing a stuntman-gymnast with Baroque frescoes in the Louvre, Nashat has plenty to say about painterly virtuosity, artistic patronage and the artificiality of art exhibitions. “The pedestal base plates … in which elegant and erotic rods of brass have been embedded themselves represent the object of desire,” writes curator Kathleen Rahn. This artist’s book based on Nashat’s first German solo exhibition includes video installations, sculpture, etchings and photographs.

2011 / Exhibition catalog / Hardcover
6.75 x 9.5 inches / 160 pp / 28 b&w and 93 color
ISBN: 978-1-934105-26-9 · Retail Price: $32.00



The subject of this book is a prop—a dodecahedron, symbol of cosmic matter— painted the color green of cinematic trickery and special effects. It edged itself into Swiss artist Shahryar Nashat’s (b. 1975) work in 2011, first appearing in Factor Green, an installation at the Venice Biennale. A year later, the prop became known as La Shape, garnering critical acclaim for its sardonic personification of an unscrupulous impresario in two videos by Nashat. In Obituary, Nashat and LA-based curator-writer Sarah Lehrer-Graiwer reflect upon its brief but meaningful life after its mysterious death this year at the height of its career. Accompanied by archival images and a series of portraits by Nashat, Obituary is a gripping read on this mysterious icon and the roles it played. Exhibited and collected internationally, Nashat’s work involves his interest in art collections, art libraries, reproduction of works of art, appropriation and display issues and apparatus.

May 2016 / Hardcover
5 ½ x 9 ½ inches / 128 pp / 96 color
ISBN: 978-3-95679-099-7 · Retail Price: $27.00