Page
123456789101112131415161718192021222324252627282930313233343536373839404142434445464748495051525354555657585960616263646566676869707172737475767778798081828384

Mark Sheinkman

Wisps of smoke? Clouds? Woven threads? An unknown species of jellyfish? New York artist Mark Sheinkman’s romantic, mysterious and delicate drawings are the focus of this catalog from his first European solo exhibition. To create these dramatic works of art, Sheinkman applies graphite powder to the ground and rubs it into the completely black surface until the white plumes appear chiselled out of the darkness of the paper, in a mesmerizing filigree effect. The drawings, some as large as six feet across, inspired curator Ulrike Schick to write that Sheinkman “describes time through space … the fleetingness of a moment that is captured without becoming rigid.” Photos include the gallery installation from the museum show.

Snoeack, Germany
January 2010 / Exhibition catalog / Softcover
7 1/2 x 9 1/2 inches / 124 pp / 120 color
ISBN: 978-3-940953-24-7 · Retail Price: $39.95

ANWAR JALAL SHEMZA

Iftikhar Dadi (Ed.)

Layering postwar geometric abstraction with Arabic calligraphic forms, Anwar Jalal Shemza’s rich and imaginative body of work combining the visual traditions of East and West is surveyed for the first time in this comprehensive volume. Born in India in 1928, Shemza attended art school in Lahore, Pakistan, and was a leading artist and literary figure when he moved to London in the mid-1950s to study at the Slade College of Fine Art. His subsequent work in painting, drawing and printmaking engaged dilemmas of identity, culture and place in rigorously deployed geometric and calligraphic forms. Accompanying over 130 illustrations of works and rare archival material, a text by art historian Iftikhar Dadi provides an overview of his career alongside essays by artists Shezad Dawood and Rachel Garfield, art historian Courtney J. Martin and London-based curator Hammad Nasar on his work, contemporary reception and influence on younger generations. This publication coincides with Tate Britain Spotlight exhibition (2015–16).

RIDINGHOUSE, LONDON
February 2016 / Exhibition catalog / Hardcover
9 ¾ x 11 ¾ inches / 216 pp / 132 color
ISBN: 978-1-909932-13-5 · Retail Price: $49.95

SHOOTING TIME

Cinematographers on Cinematography

Richard van Oosterhout, Maarten van Rossem & Peter Verstraten (Eds.)

An indispensable text for contemporary filmmakers, Shooting  Time is a collection of conversations with directors of photography (DP) all over the world talking about the transition of their profession from analog to digital cinema. The conversations center around two main areas: film language and digital revolution. How does each DP employ his own visual style? How do contemporary DPs relate to the cinematography of previous eras? How do the new digital tools transform their profession and, is it for better or for worse? Moreover, how do hypermodern cameras affect the language of the cinema? Cinematographers in conversation include Vilmos Zsigmond, Robby Müller, Dante Spinotti, Christian Berger, Slawomir Idziak and Frederick Elmes. Also included are four articles on celluloid in the digital age.

POST EDITIONS, THE NETHERLANDS
NETHERLANDS SOCIETY OF CINEMATOGRAPHERS, THE NETHERLANDS
January 2013/ Exhibition catalog
Softcover/ 6 1/4 x 7 3/4 inches
224 pp / 5 b&w / 42 color
ISBN: 978-94-6083-061-7 · Retail Price: $39.95

PAUL SIETSEMA

Interviews on Films and Works

Quinn Latimer (Ed.)

This collection of interviews with Los Angeles artist Paul Sietsema by prominent writers and curators was published on the occasion of his first solo museum exhibition at Kunsthalle Basel (2012). The aesthetics of Sietsema’s practice result from the translation of visual information between mediums—like the presentation of his sculptures and paintings on film rather than in their original media. These discursive texts consider issues central to the artist’s work, including the perception of present time and the relationship of materials to form. Stills from newly produced films and reproductions of paintings and works on paper continue Sietsema’s ongoing investigation into the mechanics of knowledge within image culture. With interviews by Andrew Berardini, Gintaras, among others.

STERNBERG PRESS, BERLIN
KUNSTHALLE BASEL, SWITZERLAND
January 2013 / Exhibition catalog
Softcover / 8 1/3 x 10 1/2 inches
144 pp / 50 b&w, 31 color
ISBN: 978-3-943365-24-5 · Retail Price: $34.00

AMIE SIEGEL

Catalogue

Prem Krishnamurthy (Ed.)

American artist Amie Siegel’s Catalogue is a publication that poses as and functions like an artist’s book, but is in fact is a compilation of scanned auction catalog images of 1950s furniture designed by Le Corbusier and Pierre Jeanneret for Chandigarh, India. Part of her recent three-part exhibition at the Metropolitan Museum and subject of her film Provenance (2013), the trading of the furniture in these sumptuous spreads charts the migration of the spoils of modern design and larger movements of capital. Working between film, installation, photography and performance, Amie Siegel questions the tropes of cinematic form and in this project strips back the layers of patrimony that influence the cultural and market value of objects. An unusual exhibition catalog designed to showcase this layered work by an exciting young artist. Sielgel’s work has been showcased at CCA, Tel Aviv, MAXXI, Rome, the Hayward Gallery, London and MOMA, NY.

INVENTORY PRESS, NEW YORK
January 2015 / Exhibition catalog
Softcover / 10 x 13 inches
320 pp / 158 color
ISBN: 978-1-941753-03-3 · Retail Price: $65.00

SANTIAGO SIERRA

Sculpture, Photography, Film

Spanish artist Santiago Sierra’s genius lies in using his art to allow the public to see the structure of power in the contemporary world. At the Spanish Pavilion at the 50th Venice Biennale in 2003, he built a wall and hired a security firm to police the door—only admitting those visitors who were able to provide Spanish or Mexican identity documents. The Guardian of London wrote that the shocking nature of Sierra’s most recent work was not that he solicited some junkies to get tattoos in exchange for drugs; the ah-ha moment is the small shift of perception that reminds us of the daily human rights violations worldwide that we don’t even notice. This expansive catalog, accompanying a retrospective exhibition of countless performance remains and installations, was compiled by Sierra himself and offers a deep overview of the artist’s career.

SNOECK, GERMANY
July 2013 / English & German / Exhibition catalog
Hardcover / 9 1/4 x 12 inches / 176 pp / 400 b&w
ISBN: 978-3-86442-040-5 · Retail Price: $65.00

PAUL SIETSEMA

At the Hour of Tea

Los Angeles-based artist Paul Sietsema develops a filmic space within the pages of this unique artist book by layering stills from his most recent 16mm film At the Hour of Tea. By puncturing the imagery with single and multiple laser-cut portals, he alludes to the analog process in film. Drawing on the design idea of skeuomorphism, common in modern computer interfaces, Sietsema fills his tableaux with now-outmoded items that live on as icons of their former functions. Clichéd “collectible” objects—Roman glass, coins, minor antiquities—invoke the notion of a salon or space of contemplation as a parallel to the contemporary studio. Characteristically, Sietsema plays with the idea of a kind of leisure-based consumptive creativity, employing sequences and objects as historical analogs for modern processes of consumption, production and communication.

STERNBERG PRESS, BERLIN
RITE EDITIONS, SAN FRANCISCO
January 2015
Softcover w/dustjacket / 6 x 9 inches
136 pp / 19 b&w and 35 color
ISBN: 978-3-95679-078-2 · Retail Price: $49.00

ROMAN SIGNER

Slow Movement

An exciting new series coming from the Barbican Gallery, The Curve Series 23 features a single body of work by one artist in tandem with an installation in their noted “Curve” exhibition space. In this inaugural volume Swiss artist Roman Signer’s use of the kayak, a symbol and form he has employed in his work for over 30 years, provides the jumping-off point. The red kayak in the current installation Slow Movement (2015), towed by a rope suspended from the ceiling, navigates the 300-foot-long gallery as if moving through a canal. Signer is well known for his “action sculptures” and sculptural installations plus videos that push everyday objects and situations to absurd ends. This slender volume of color photographs documenting Signer’s kayak installations over the years is bookended with an essay by art writer Rachel Withers and an interview with the artist by editor and teacher David Signer. This is a series to pay attention to!

RIDINGHOUSE, LONDON
BARBICAN ART GALLERY, LONDON
July 2015 / Exhibition catalog
Hardcover / 7 x 9 3/4 inches / 48 pp / 29 color
ISBN: 978-1-909932-08-1 · Retail Price: $15.95

Silberkuppe

Under One Umbrella

Dominic Eichler and Michael Ziegler

Discover one of Berlin’s most exciting new, independent spaces for contemporary art: Silberkuppe, founded in 2008 by Dominic Eichler and Michel Ziegler. From a 300-square-foot space in a former concierge’s office, Silberkuppe has initiated around 20 projects including exhibitions, presentations, film screenings, concerts and performances, which together have involved more than 50 artists, architects, actors, dancers, designers, musicians and writers. This exhibition catalog, a “photographic report” on Silberkuppe’s main projects, derives from “Under One Umbrella” in Bergen Kunsthall, the culmination of a series of institutional group exhibitions in which Silberkuppe extended their practice out from their own micro-space. Featured are essays along with works from over 40 artists including Isa Genzken, Dirk Bell and Kaucyila Brooke.

Sternberg Press, Berlin/New York
Bergen Kunsthall, Germany
2010 / Softcover / 7 5/8 x 9 7/8 inches / 150 pp / 30 b&w and 165 color
ISBN: 978-1-934105-04-7 · Retail Price: $29.95

SILVIA BÄCHLI & ERIC HATTAN

Snow Until May

Iceland’s winter of 2008 was the most severe in 50 years, with “snow until May.” This uniquely beautiful publication combines two separate yet complementary projects made during that frigid spring by two artists: Swiss painter Silvia Bachli (whose minimalist drawings were shown in the Swiss pavilion of the 53rd Venice Biennale), and French videographer Eric Hattan (who collected footage for his video and sound installation All the While). This 70-page, unbound, full-color folio – presented with a stunning poster in an icy-looking vellum bag – includes panoramic snow-and-ice landscape photographs that the artists made together. These winter landscapes and abstract impressions distill the essence of “the deafening silence,” barren yet beautiful. With photos of the house the artists shared in Iceland, and installation photos.

Snoeck, Germany
August 2011 / English & German / Exhibition catalog
Softcover, newspaper format / 8 7/8 x 12 1/8 inches / 70 pp / 80 color
ISBN: 978-3-940953-77-3 · Retail Price: $39.95