In a multi-part artist’s book, New York-based Korean artist Kim Sung Hwan adds another dimension to his exhibition “Line Wall,” inspired by the work of the German late Romantic poet Rainer Maria Rilke. Kim’s exhibition at Kunsthall Basel includes video, sound, performance and architecture. The accompanying book has a dual theme, of the metamorphosis of humans and things, language and forms. The first part of the hardcover book features a transcription of Rilke’s 1907 collection New Poems in the original German, on thin sheets of paper and notepads. The second part features Kim’s drawings inspired by Rilke’s 1923 Sonnets to Orpheus, which are then further developed in the book’s third part, which comprises an independent picture story featuring recurring characters.
Kunsthalle Basel, Switzerland
October 2011 / Hardcover / Exhibition catalog
6 3/8 x 8 5/8 inches / 168 pp / 138 b&w
ISBN: 978-1-934105-51-1 · Retail Price: $39.95
1985, Softcover, 8 1/4 x 8 1/4 inches
75 pp, 17 halftone and 12 color reproductions
ISBN: 0-911291-10-5 · Retail Price: $10.00
Selected Projects 1995–2012
Not quite artist, not quite architect, Apolonija Šušteršic calls herself a “space practitioner.” Published on the occasion of her first solo exhibition at the Museo de Arte Contemporáneo in León, this book offers a comprehensive look into the Slovenian-born artist, with projects spanning from 1995 to 2012. The publication shows how methodologies and strategies touch on the aesthetic and political tendencies of conceptual art, contextualism, institutional critique and relational aesthetics. Since the early 1990s, Šušteršic’s work can be described as putting into practice a “politics in space”—a project-based rather than object-oriented practice, which includes her Juice Bar for Manifesta 2. With texts by Peio Aguirre and Jane Rendell and a conversation between the artist and original space practitioner Dan Graham. Design by Maite Zabaleta.
STERNBERG PRESS, BERLIN
July 2013 / English & Spanish / Exhibition catalog Softcover / 8 x 10 3⁄4 inches / 156 pp / 161 color
ISBN: 978-3-943365-54-2 · Retail Price: $40.00
Specters and Spirits of a Parallel Avant-Garde
Georg Schöllhammer & Ruben Arevshatyan (Eds.)
Under the title Sweet Sixties, this book brings together 14 texts exploring the hidden territories of the revolutionary period of the 1960s in the parallel modernities of Western and non-Western geographies including the Middle East, North Africa, former Soviet Republics, Latin America and Europe. Sweet Sixties is a long-term curatorial, scientific and educational research initiative involving individuals and experimental arts from research, media and educational contexts. In these varied and engaging essays, contributors focus on the comparative analysis and contextualization of historical developments in the arts, culture and societies of the 1960s and 1970s, and their effects on contemporary sociopolitical and cultural situations in “post-ideological” societies. Includes texts from the group’s founders, Austrian curator Georg Schöllhammer and Russian historian Ruben Arevshatyan, as well as Emin Alper, Klaus Ronneberger, Sohrab Mahdavi and Toni Maraini, among others
July 2014 / Hardcover
6 3/4 x 9 3/4 inches / 528 pp / 350 b&w and color
No ISBN · Retail Price: $38.00
Oliver Kielmayer (Ed.)
In his first extensive solo exhibition at the Kunsthalle Winterthur (2015), titled 1:1, London-based Canadian artist Shaan Syed (b. 1977) pictorializes the concept of the empty stage. Produced by the artist in conversation to the exhibition, Catalogue is a combination artist book / survey of Syed’s large-scale wall paintings and drawings referencing minimalist greats such as Sol LeWitt and Ellsworth Kelly and the word- based works of the outrageous London-based artist David Shrigley. Small-scale color reproductions of over one hundred works presented in catalog format are accom- panied by an insightful essay on the artist’s work by curator Oliver Kielmayer. It is no coincidence that Syed’s formal compositions sometimes resemble abstract versions of Indian tantric paintings, serving neither as instruction nor decoration but as a stimulus for entry into the spiritual sphere—a concept that corresponds to early 19th-century ideas of artistic autonomy and emphasizing the intrinsic value of the image as aesthetic experience.
KUNSTHALLE WINTERTHUR, SWITZERLAND
February 2016 / English & German Exhibition catalog / Softcover
9 x 11 ½ inches / 128 pp / 318 color
ISBN: 978-3-86442-144-0 · Retail Price: $42.00
The early 20th-century avant-gardes in art, dance and architecture were enamored of the utopia of the New Man, who they proclaimed their idealized “client“ and the aim of their artistic production. The client is a symbolic one, because his actual identity remains unknown. Houses and carpets, wallpapers and suits, new cities and chairs were designed for him (or her), yet the figure has remained a utopian one, flaring-up only for a brief moment in time, to inspire works of art. This book combines images and essays from the two group exhibitions “Idealismusstudio” and “Die Blaue Blume,” at the Art Association Graz, Austria. Featured artists range from Anni Albers and George Nelson to Luca Frei and Hilary Lloyd.
GRAZER KUNSTVEREIN, AUSTRIA
2011 / Exhibition catalog / Hardcover
6.5 x 9.5 inches / 224 pp / 2 b&w and 66 color
ISBN: 978-1-934105-35-1 · Retail Price: $34.00
The Incomplete Thombu
An unexpected yet poignant artist’s book, commenting on the tragic civil war in Sri Lanka from 1983-2009. A “thombu” is a Dutch term for a public land registry. This beautifully designed project records the displacement of Tamil people in an achingly personal way: each entry is a simple floor plan, drawn from memory by a displaced Tamil-speaking citizen. A vellum overlay with an architect’s crisp drawing makes the lost home “real” in yet another way. Drawings are accompanied by the name of the person who lost their home, their profession, and a brief interview, telling the story of the upheaval and the memories they took with them. The maps vividly reveal what was lost in a conflict that lasted more than 30 years. A moving example of how art and politics can intersect.
April 2012 / Softcover / 9 x 11.75 inches
320 pp / 80 b/w and 160 color
ISBN: 978-0-9556674-5-9 · Retail Price: $65.00
Not So Too Much of Much of Everything
September 2007, Softcover, 41/4 x 7 inches
72 pp, Text only
ISBN: 978-1-870699-97-6 · Retail Price: $18.00
A year into his appointment at the Bauhaus, Paul Klee was teaching pictorial configuration as part of the basic course. Following a brief introduction, he immediately got to the heart of the matter: “I’m starting precisely there, where pictorial form begins, with the point that is set in motion.” In a poetic-metaphorical manner Klee laid out a plausible working method for drawing: the artist/ designer takes the line for a walk. This catalog based on the Klee exhibition at the Zentrum in Bern focuses on the significance of handwriting, writing and scriptive signs in artistic practice. In the modern era, script, characters and calligraphy have been areas in which artists have been able to choose between spontaneity and control, and between intuition and rule in their work, exploring the spaces in between. Klee saw letters as well as drawing as based on the line. From abstract expressionist scratchings to mystical symbology, from ancient hieroglyphics to the Art & Language movement, how has the dichotomy of line as decoration and line as communication influenced modern art? This deeply engaging catalog brings together the script works of Paul Klee; the calligraphic-based works of Henri Michaux, Mark Tobey and Brice Marden; the script-like characters of Cy Twombly; the palindromes of Olav Christopher Jenssen; and the spontaneity of Christopher Wool’s graffiti-like works and Jonathan Lasker’s pastose painting style to create an electric snapshot of one of fine art’s most compelling recurring themes. In addition to biographical essays and reproductions of the artists’ relevant works, this playful volume also includes essays by Fabienne Eggelhofer on the art of merging control and spontaneity, Regine Bonnefoit on the relationship between Klee and the poet and painter Henri Michaux, and Martin Dobbe on the possibility of abstract writing.
ZENTRUM PAUL KLEE, BERN
July 2014 / English & German / Exhibition catalog
Hardcover / 10 x 12 3/4 inches / 192 pp / 130 color
ISBN: 978-3-86442-072-6 · Retail Price: $72.00
Art critic Kay Heymer, in her excellent essay here, calls the artist TAL R the “devourer of images.” His new group of ceramic sculptures, shown in this catalog, invokes predecessors such as André Derain, Alberto Giacometti, Willem de Kooning, Jean Fautrier, Hans Josephson, Georg Baselitz and Günther Förg. TAL R has devoured this tradition as quickly as he has regurgitated it; he is fascinated and inspired by much older traditions of sculpture firmly rooted in religious and social behavior, such as votive offerings—body parts for healing purposes—which can be found in the hundreds, often stacked in piles, across the world. TAL R’s sculptures, his reformulations, are simultaneously naïve and refined, virtuosic and amateurish, reflective and genuine, artificial and authentic, vulgar and absolute, and full of pure childlike innocence. Full-page illustrations make this catalog an important document of this important new work.
September 2013 / English & German
Exhibition catalog / Hardcover
9 1/2 x 12 3/4 inches / 56 pp / 70 color
ISBN: 978-3-86442-045-0 · Retail Price: $45.00