Alchemy, Diaspora and Heterotopia

Shezad Dawood

The multiple notions embedded within the black sun—relating to eclipse, transfiguration and alchemy—are explored in this beautifully conceived artist book by Shezad Dawood. Black Sun, the title of the British artist’s third book, is a term with myriad meanings; it represents the darkening of daylight, but is also a symbol of esoteric, mystical or occult significance used in various belief systems. Accompanying a traveling exhibition conceived of and curated by the artist, the catalog’s extensive essays examine structures that, much like the black sun itself, deconstruct our everyday modes of seeing. Featured are works by Ayisha Abraham, Tino Sehgal, Wolfgang Tillmans and others, along with extensive texts by Dawood, Arnolfini director Tom Trevor and Megha Ralapati of Chicago’s Hyde Park Art Center.

2014 / Exhibition catalog
Hardcover / 6 1/4 x 9 1/4 inches
194 pp / 50 b&w and 75 color
ISBN: 978-1-905464-84-5 · Retail Price: $39.95


Opera Rock

This is the first comprehensive monograph on the French artist Jean- Luc Blanc’s enigmatic “glam” oeuvre. It documents his retrospective exhibition at the Musée d’art contemporain de Bordeaux (2009), where Blanc’s works have been juxtaposed with those of 45 historic and contemporary artists, as well as with numerous artifacts, antiques, jewels, crystals, curios, and naturalia. In Alex Farqhuarson’s perceptive essay, he comments, “Jean-Luc Blanc mostly paints portraits … Like phantoms, the people he paints have no corporeality, much less a developed identity; and like actors, his subjects appear ‘in character’, void of self, projecting the lives of others.” Additional writings by Thierry Jousse, Melvin Moti and interview by Alexis Vaillant.

2009 / Exhibition catalog / English & French
Softcover / 81/ 4 x 101/ 2 inches / 160 pp / 80 color
ISBN: 978-1-933128-69-6 · Retail Price: $29.95

Ina Blom

On the Style Site
Art, Sociality, and Media Culture

Sternberg Press, Berlin/New York
2007 / Softcover / 5 1/2 x 8 1/2 inches
261 pp / 73 color
ISBN: 978-1-933128-30-6 · Retail Price: $29.95


If The Colour Changes

Achim Borchardt-Hume & Doro Globus (Eds.)

Mel Bochner (born 1940) is part of a generation of New York artists who emerged in the 1960s, at a time when painting was increasingly dismissed as outmoded. Bochnerleft his discipline and become a pioneer in introducing language into the visual field. In 1966, Harvard University art historian Benjamin Buchloh described Bochner’s “Working Drawings” installation as “probably the first truly conceptual exhibition.” In an overview of Bochner’s career this exhibition catalog from Whitechapel Gallery, London, highlights his rich and thought provoking approaches to photograpy, installation and painting over 45 years. Also included are the most recent series of ‘thesaurus” paintings which achieve a symbiosis of language and color as intellectually complex as it is visually stimulating. Texts by Achim Borchardt-Hume, João Fernandes, Ulrich Wilmes and Briony Fer.

January 2013/ English/ Exhibition catalog Softcover/
9 3/4 x 11 1/4 inches/ 216 pp/ Extensive b&W and color
ISBN: 978-1-905464-66-1 · Retail Price: $45.00


Catalog of the 10th Fellback Triennial of Contemporary Sculpture

Matthias Winzen
Snoeck, Germany
2007 / English and German / Exhibition catalog Hardcover / 8 1/2 x 10 1/2 inches
296 pp / 380 color
ISBN: 978-3-936859-64-5 · Retail Price: $66.00

Mike Bouchet

Selected Works 1989-2009

The work produced by Mike Bouchet in recent years seems to present a compulsion to alter one’s place in the world by reproducing and re-contextualizing “desirable” things in and of the world. His projects and exploits are one-to-one models – real transactions with their own autonomy and agency. You cannot alter your place in the world without first altering your image of the world. Bouchet’s endeavor goes beyond representation or a kind of DIY prudence, into what can best be described as a real-life parody. This artist uses everything at his disposal to grow, package, and pitch his own products. In systems such as these, even real transactions are not completely convincing, the rectification of one’s product through extensive image production is needed to make it completely viable.

Sternberg Press, Berlin/New York
2009 / Softcover / 216 pp / 8 3/78 x 11 inches / 171 color
ISBN: 978-1-933128-73-3 · Retail Price: $34.95



Pauline Boudry/Renate Lorenz, Anja Casser w/Electra (Eds.)

Artists’ book Aftershow engages and brilliantly captures the recent film installations of the gender-neutral artist duo Pauline Boudry/Renate Lorenz following their 2013 exhibition Patriarchal Poetry at the Badischer Kunstverein. Research material, scripts, film stills, and installation shots provide insight into the artists’ investigation of performance in film and their dense net of references to experimental film, the history of photography, sound and underground (drag) performances. The book’s title alludes to an interest in events that are belated, left backstage or off-screen. A number of (fictitious) letters to friends and collaborators such as Sharon Hayes, Yvonne Rainer, Ginger Brooks-Takahashi and Jack Smith are also included and place the work of Boudry & Lorenz in a context of debates around temporalities, activism, the archival, decolonizing practices, and queer histories.

January 2015 / Softcover
8 1/4 x 12 1/4 inches
190 pp / 1 b&w and 130 color
ISBN: 978-3-95679-049-2 · Retail Price: $34.00


The subjects filmed by American-born Mark Boulos inhabit the realm of documentary, but he chooses to show his large-scale, multi-screen video installations in art venues and galleries. “To call a film ‘art’ is to release it from the demands of reportage and anthropology that otherwise burden documentaries,” Boulos says. This extensively illustrated catalogue considers three of Boulos’ most recent video installations, All That is Solid Melts into Air (featured in the Projects Gallery of MoMA, NY in 2012), The Word Was God, and No Permanent Address. Boulos’ subjects include the revolutionary fervor, political militancy, sexual identity and religious ecstasy of radical organizations such as the Filipino revolutionary New People’s Army and the Movement for the Emancipation of the Niger Delta. Essays by Mark Boulos, Juan Gaitan, Molly Macdonald, Philippe-Alain Michaud and Scott Watson.

April 2012 / Hardcover /
7.75 x 10.25 inches/56 pp / b&w and color
ISBN: 978-0-88865-004-7 · Retail Price: $29.95

Bourgeoisified Proletariat

Yang Zhenzhong, Xu Zhen and Shi Qing

Barely 50 years after the despised “bourgeois intellectual” class was ruthlessly crushed by Chairman Mao’s Cultural Revolution, Chinese artists are openly exploring the idea of “bourgeoisifying” the previously worshipped proletariat (worker). This engrossing full color book documents an impromptu, four-day exhibition put together by 50 of China’s leading artists in 2009, staged in a converted factory across from an Ikea warehouse in the far western suburbs of Shanghai. Organized around 12 probing questions (“State the class background of the last three generations of your family,” for example, or “Summarize your experience of growing up”), the artists present a group of dynamic installations that touch on human rights, political discourse, the role of the arts and other topics. Featuring over 40 artists and collectives.

Office for Discourse Engineering, Beijing
2010 / English & Chinese / Exhibition catalog
Softcover / 6 3/4 x 8 1/4 inches / 204 pp / 328 color
ISBN: 978-988-17367-6-5 · Retail Price: $25.00


A Case Study
Behavioral Objects, Volume I

Samuel Bianchini & Emanuele Quinz (Eds.)

Three immersive installations by French artist Céleste Boursier-Mougenot (b. 1961) are featured in this well-illustrated reader accompanying the artist’s 2016 exhibition from here to ear at the Montreal Museum of Fine Arts. Since 1994, Boursier-Mougenot, a musician by training, has been combining visual arts and experimental music. Using “behavioral objects” such as a roomful of roving pianos or finches roosting on amplified guitars, the artist allows the musical potential of unorthodox configurations of materials and media to generate “living” music. The history behind the concept of “behavioral objects” and the parameters of this field of research and practice, dating to the emergence of cybernetics—is also examined in the reader. Paris-based artist and the director of research group Reflective Interaction, Samuel Bianchini, and curator Emanuele Quinz edit both reader and accompanying monograph on this fascinating artist who has exhibited internationally from MoMA PS1, NY, to the Palais de Tokyo, Paris, and the 2015 Venice Biennale.

October 2017 / Exhibition catalog / Softcover
6 ½ x 9 inches / 224 pp / 40 b&w and 150 color
ISBN: 978-3-95679-172-7 · Retail Price: $18.00