New Dimensions in Landscape Philosophy
Pietsie Feenstra, Wapke Feenstra & myvillages.org
Who has owned the land? Who has created the landscape? Who has determined its cultural rhythm and production? This intellectual collaboration by the Feenstra sisters, photographer Wapke and Sorbonne media professor Pietsie, is curated by myvillages.org, a cooperative artist initiative in the European countryside that explores the rural environment as a place for cultural production. The visual essay combines photos by Wapke with those photos shot by local residents along with poetry and information about the land and a grass herbarium. This effort is further illuminated by Pietsie’s essay on cultural history, which takes us on a filmic journey through a landscape in the northern Dutch province of Friesland and ultimately opens a window onto new European approaches to national identity.
myvillages.org, The Netherlands
October 2012 / Softcover / 6 x 8 3/4 inches / 224 pp / Extensive color
ISBN: 978-94-90322-37-3 · Retail Price: $39.95
Queer Art Practices
Christiane Erharter, Dietmar Schwärzler, Ruby Sircar & Hans Scheirl (Eds.)
New from the ongoing publication series from the Academy of Fine Arts Vienna, Pink Labor addresses the crossover of form and politics in visual representations of gender, sexuality and desire. Contradictory standpoints of queer art practices, conceptions of the body, and ideas of “queer abstraction,” a term coined by USC gender studies professor Judith Jack Halberstam, are of particular interest in several essays on artworks and art practices in this substantial illustrated reader. In addition to testimonials from queer performers on the topic of “drag,” the book includes interviews, essays, collages and personal writings. Placing contemporary art practices in historical perspective and revising the perceived divergence between artistic attitudes and formal approach, this publication offers refreshingly diverse and thought-provoking points of view. Contributors include artists, film and art historians, theorists, critics, curators, scholars, filmmakers and writers from Berlin, New York, Warsaw, Beirut, Vienna, Chicago, Los Angeles and Prague.
ACADEMY OF FINE ARTS VIENNA, AUSTRIA
February 2016 / Volume #17 / Exhibition catalog
Softcover / 6 ½ x 8 ½ inches
284 pp / 15 b&w and 70 color
ISBN: 978-3-956791-82-6 · Retail Price: $30.00
Matthias Ulrich (Ed.)
From 2009 to 2011, Schirm Kunsthalle presented more than 50 performances, happenings, installations, workshops, markets, rallies and demonstrations in Frankfurt’s downtown center. The 58 international artists involved shared the aim of interacting with the public, often by turning bystanders into participants themselves. The project incorporates important artistic strands from earlier in the 20th century—from Dada and Fluxus to the Situationists—with those characterized as “social turn,” or the “community-based art” currently in-vogue. In this jampacked, lively reader, curator Matthias Ulrich engages 51 of the artists by asking them ten central questions about participatory public art and creates through those insights a comprehensive roundup on interactive, cooperative practices today.
August 2012 / English & German
Softcover / 6 x 8 1/4 inches / 394 pp / 50 b b&w
ISBN: 978-1-934105-95-5 · Retail Price: $29.00
J. V. Martin and the Situationist International
Mikkel Bolt Rasmussen
While the actions and writings of the French, Italian and German situationists have received quite a lot of attention during the last 10 to 15 years, the actions of the Danish section remain largely unevaluated. This is peculiar since a number of Danish artists like Asger Jorn, Jørgen Nash, J. V. Martin and Peter Laugesen were members of this artistic-political organization, which devoted its existence to the realization of nothing less than a mental revolution. Danish painter J. V. Martin, after the infamous split in the Situationist International in 1962, was unexpectedly put in charge of the group’s Scandinavian section. This pocket-sized reader, edited by art historian and political theorist Mikkel Bolt Rasmussen, who is known for his books on revolutionary traditions in modern art, is the first presentation of Martin’s writings and paintings within the SI, in which he would remain a member until the group’s dissolution in 1972.
MODERNA MUSEET, STOCKHOLM
Release Date: May 2015
Softcover / 3 3/4 x 5 3/4 inches
72 pp / 12 b&w and 3 color
ISBN: 978-3-95679-105-5 · Retail Price: $12.00
Fear of Language
Fiona Bryson & Keren Cytter (Eds.)
The cutting-edge Poetic Series, founded and edited by Keren Cytter and Fiona Bryson, combines poetry, literature and the visual arts as a challenge to traditional forms of narrative. Fear of Language, the third book in the series, takes its title from the work of emerging Slovenian poet Katja Perat, whose provocative verse is featured alongside excerpts from American poet Eileen Myles’s upcoming memoir, Afterglow, and American poet-professor Judith Goldman’s spare poetry. Images collected from the internet by Dutch artist Willem de Rooij showing destroyed and looted cultural heritage sites in Iraq, Mali, Egypt, Syria and Bosnia-Herzegovina, are interspersed throughout the book and featured on the cover of this excellent addition to the series.
APE (ART PROJECTS ERA), THE NETHERLANDS
Softcover / 5 1/2 x 8 1/2 inches
134 pp / 18 color
ISBN: 978-3-95679-075-1 · Retail Price: $20.00
Noon on the Moon
Fiona Bryson & Keren Cytter (Eds.)
The fourth issue in the Poetic Series is a seasonally themed special issue, a festive anthology composed of contributions from more than 20 writers and artists elaborating on everyone’s favorite and most controversial holiday in an unconventional and abstract sense. Artwork is provided in the form of a colorful collection of romance covers illustrated by Vicki Khuzami. The book’s title comes from a poem by Barry Schwabsky. Poetry and prose by Charles Bernstein, Gerry Bibby, Judith Goldman and Dorothea Lasky, Veronica Gonzalez Peña, Andreas Schlaegel, Karl Holmqvist and Sarah Wang, among others. The Poetic Series brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative.
APE (ART PROJECTS ERA), THE NETHERLANDS
Softcover / 5 1/2 x 8 1/2 inches
100 pp / 30 color
ISBN: 978-3-95679-123-9 · Retail Price: $20.00
Nataša Bodroži´c and Irena Bori´c (Eds.)
The result of a collective conversation organized in Zagreb by the Croatian platform k.r.u.z.o.k., this limited-edition publication brings together an interdisciplinary group of discussions, presentations, artistic explorations, lecture-performances and film research on the relationship of love to the political, social, and economic and ideological. Composed of both visual and textual material, chapters touch on a variety of topics including the entanglement of politics and collective sentiment, the relationship between ideology and social emotions, sexuality and nationalism and love as a trigger for dedicated unpaid work. Participants chosen from a group of artists, theorists and cultural workers include the Romanian Bureau of Melodramatic Research, Dutch artist Clare Butcher, Slovenian artist Jasmina Cibic, Polish curator Sebastian Cichocki, Lithuanian scholar Marija Dremaite, Croatian collective Fokus Grupa, Swiss artist Thomas Hirschhorn, Belarusian artist Marina Naprushkina, Croatian scholar Ana Peraica and curator Tihana Puc.
SLOBODNE VEZE / LOOSE ASSOCIATIONS
Softcover / 5 x 7 inches
124 pp / 30 duotones
ISBN: 978-94-91677-24-3 · Retail Price: $20.00
Documentary and Archive
Marco Scotini & Elisabetta Galasso (Eds.)
The anthology Politics of Memory investigates the changing relationship between artistic practices and the documentary. The document—offered as an objective trace left by events, as material proof or as the creation of reality—can transform a state of memory into ‘state memory’ through historical removal which, ultimately challenges permanent or temporary forgetting, casting memory into the future. Bringing together the work of international artists and filmmakers including Hito Steyerl, Eric Baudelaire and Clemens von Wedemeyer and others who attended the cycle of conferences held between 2009 and 2013 at Nuova Accademia di Belle Arti Milano, this illustrated softcover publication is the result of a multi-year research project promoted by NABA’s Visual Arts and Curatorial Studies program. It begins with the idea of memory as a critical exercise and act of resistance and compares a variety of artistic expressions investigating forms of documentary making and archiving.
October 2017 / Softcover
5 x 8 in. / 240 pp / 70 b&w
ISBN: 978-3-943620-33-7 · Retail Price: $20.00
The Contemporary, the Common: Art in a Globalizing World
Max Bach (Ed.)
The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today’s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear. Contemporaneity functions as a flow, a space-time being that cannot be fixated. The body is in the forefront—a thermometer of the world lived in and with, marked by dynamics of change and sharing. The work of Claire Fontaine, Douglas Gordon and Philippe Parreno, Ion Grigorescu, Mike Kelley, Yvonne Rainer, Rirkrit Tiravanija and Jeff Wall, among other artists, is examined in this book, together with insights into the seminal issues of contemporary art.
2014 / Softcover
6 x 8 3/4 inches / 464 pp
30 b&w and 115 color
ISBN: 978-3-943365-48-1 · Retail Price: $37.00
This pocket-sized book by visual artist Jonas Staal is a long essay with an idealistic premise: that the unification of life and art can be accomplished through a meeting of art and politics. Staal believes that “every human being is an artist,” and that we must find the courage to imagine a different politics,”one that will find acceptance through the consistent implementation of inconsistent democratism.” His argument is based on the deep-rooted relationship between the art institution and politics, the refusal of the art institution to question its supposed autonomy, and the refusal of politics to give up its untenably neutral position with respect to the arts. What are the ideological foundations that contemporary art is supposed to portray?
The Netherlands Foundation for Visual Arts, Design and Architecture
2010 / Hardcover / 5 x 7 5/8 inches / 108 pp / 34 b&w
ISBN: 978-90-76936-22-2 · Retail Price: $25.00