Liedership

A Fields of Flow Musical

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Make Everything New – A Project on Communism

Grant Watson, Gerrie van Noord & Gavin Everall

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MARIA LIND

Selected Writing

Writings by international critic and curator Maria Lind, director of the graduate program at the Center for Curatorial Studies, Bard College, reflect her prolific career, delving into several of her most ambitious curatorial projects, experimental programs and innovative collaborations. She has worked with artists such as Christine Borland, Liam Gillick, Philippe Parreno, Annika Eriksson, Deimantas Narkevicius, Oda Projesi, Bojan Sarcevic and Marion von Osten. This collection expands on many of her thoughts on institutional critique and curatorial models. Since the early 1990s, Lind has been working with notable institutions throughout Europe and the United States, as director of Iaspis in Stockholm and Kunstverein München, and curator at Moderna Museet in Stockholm and co-curator of Manifesta 2.

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MARIO PFEIFER

Reconsidering The New Industrial Parks Near Irvine, California by Lewis Baltz, 1974

Using the work of Lewis Baltz, a leading photographer of the 1975 New Topographics movement, as a jumping-off point, this book documents Mario Pfeifer’s multi-faceted work, Reconsidering The New Industrial Parks Near Irvine, California by Lewis Baltz, 1974. Pfeifer went on the road to track down the buildings photographed by Baltz and their history, and also sought out where the portfolios of photographs can today be found. Included is a film installation, consisting of two synchronized, looped, and parallel-projected films, that takes as its point of departure the first monograph of Baltz’s work, published by Castelli Graphics, New York in 1975. Includes film stills, production stills, an excellent interview with Baltz by Pfeifer, and a critical essay by noted contemporary art historian, Vanessa Joan Müller, essay by Chris Balaschak with introductions by Martin Hochleitner and Julia Moritz.

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NET PIONEERS 1.0

Contextualizing Early Web-Based Art

Dieter Daniels and Gunther Reisinger

The hype around Net-based art began in the early 1990s, before the Internet had become a commodity. It developed in skeptical parallel to the rise and decline of the new economy. But why does this chapter of art history appear to end so suddenly? This idea-packed reader about media art history takes a new, interdisciplinary look at the historical, social, and economic dynamics of our contemporary, networked society. Editors Daniels and Reisinger, both experts in archiving, restoring and contextualizing Net-based art, have chosen essays resulting, partly, from the Ars Electronica 2007 conference, and partly from more recent approaches. Contributions cover a wide variety of topics, ranging from art-scholarly methodological debate and source-critical analysis, to media-philosophical aspects and technical and artistic innovations.

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OTRA DE VAQUEROS

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Performative Installation

Angelika Nollert

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Put About: A Critical Anthology on Independent Publishing

Maria Fusco and Ian Hunt

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The Question of the Day

Nicolaus Schafhausen and Julia Moritz

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Rethinking Photography I & II

Narration and New Reduction in Photography

Ruth E. Horak

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