Max Bach (Ed.)
How might we conceive of comradeship during a time that is increasingly predetermined by algorithms and governed by techno-politics? Austrian philosopher and political theorist Armen Avanessian chronicles his stay in Miami Beach during Art Basel as an experiment in writing about our times of individual optimization and digitization.
Death of an Art Critic /Tod einer Kritikerin
Valérie Knoll & Hannes Loichinger (Eds.)
This palm-sized book is an adaptation of Annika Bender’s lecture “Jump! You Fuckers!” which was presented at Kunsthalle Bern in the context of a series on overproduction and ambivalence in contemporary art.
Vincent W. J. van Gerven (Ed.)
The Destructive Character by the Dutch composer, multimedia artist and theorist Dick Raaijmakers (b.
Renata Wiehager & Katharina Neuburger (Eds.)
Duchamp As Curator is the product of the Duchamp symposium at the Daimler Art Collection, Berlin, in April 2017.