Retrospective Home Nº30 – Nº41
Heralded as one of fashion’s most innovative designers, the Paris and Berlin-based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and written documentation of BLESS’s last twelve collections (N° 30-N° 41), continually prompting and challenging the question of where a product begins and ends. Their latest project, N° 41 Retroperspective Home, culminates in an exhibition / intervention of the same title at the Kunsthaus.” The hybrid nature of [BLESS’s] output cries out to be tackled by an institution like ours,” state the curators of the exhibition,” but at the same time makes it very difficult to do so … This is precisely where the challenge of our exhibition lies, seeing art as design and fashion as architecture.”
2010 / Exhibition catalog / Softcover
7 1/4 x 9 7/8 inches / 416 pp / 200 b&w and 400 color
ISBN: 978-1-934105-12-2 · Retail Price: $45.00
People eat vegetables every day, but how many actually look at them? Arising from Dutch designer Maartin Kolk’s fascination with vegetable gardens and his belief that everyday objects are too often taken for granted, Bolted is a sun-drenched collection of color photos detailing the extraordinary colors and shapes of bolted vegetable plants - that is, plants that have gone past ripeness to an overgrown state that is useless in the garden but beautiful to the eye. For this stunning, small format book, Kolk observed a vegetable garden and highlighted its hidden splendor, from carrot to zucchini.
June 2008 / English & Dutch / Softcover
6 3/4 x 9 inches / 160 pp / 86 color
ISBN: 978-90-5973-069-4 · Retail Price: $55.00
Japanese Propaganda Books
How did the Japanese see themselves from 1931 to 1972? Even more importantly, how did the Japanese want the rest of the world to see them during those four pivotal decades? This controversial, unprecedented book, selected from a massive private collection of magazines and newspapers, takes an in-depth look at the information, news, photos and advertisements used in Japanese propaganda books, illustrating the radical sociopolitical evolution of the nation and culture throughout that period of the 20th century. “Propaganda” is defined here as publications promoting political, military and cultural ideas, ranging from national magazines such as Nippon and Front (with a feature on Japan’s “crack airborne paratroop units”) to corporate documents that include a beautifully designed brochure on the facilities for the 1964 Tokyo Olympic Games. The Japanese have been notably slow to acknowledge the excesses and atrocities of the militaristic regime that led the nation into World War II; this elegantly designed book combats that resistance and opens a door to show what the government and corporate communicators were feeding to the public at the time. It also reveals the roots of Japan’s unique modern design aesthetic in the work of some of the nation’s finest graphic artists.
Iconic Japanese graphic designers and photograpers featured include Takashi Kono, Fumio Yamana, Yusaku Kamekura, Goro Kumada, Shihachi Fujimoto and Hiromu Hara in graphic design and Ihei Kimura, Yonosuke Natori Yoshio Watanabe, Ken Domon and Hiroshi Hamaya in photography.
September 2013 / Japanese & limited English
Hardcover / 7 1/2 x 10 1/4 inches
224 pp / Full color
ISBN: 978-4-86100-826-9 · Retail Price: $56.00
Andrew Lister & Matthew Stuart (Eds.)
Engaging the complex world of visual communication, the exciting new journal Bricks from the Kiln expands the conversation in design and typography, striking a balance between historical research and current projects, art and graphic design. Assembling a collection of photography, poetry, transcripts, essays, and diary jottings, the editors have allowed connections to develop organically, each piece like a collection of bricks, part of a larger structure. The Situationists loom large, as does the peripheral and the overlooked. Following in the tradition of Typographica, Icteric, Dot Dot Dot, Situationist Times and Theo Crosby’s Uppercase, the journal demonstrates how design and typography have become integrated into the creative disciplines of writing, theory and art.
With a cross-pollination of disciplines first emerging within the Bauhaus and then again in the 1960s and 1990s, the art and design community watched an evolving revolution in their field, where graphic designers made art, artists incorporated design aesthetics and theory emerged around and within the field. Bricks continues this tradition by featuring ongoing research, investigations and critical essays through a rich assortment of progressive voices. Contributions include book designer and curator James Langdon, artist/designer Mark Owens, writer/critic Jamie Sutcliffe, Ian Sinclair of The Parallel School, an alternative university offering an open environment in which to share and teach art and design, artists Max Harvey, Ralph Rumney, He Pianpian and Li You along with Ron Hunt, Natalie Ferris and Traven T. Coves.
October 2016 / Issue #1 / Softcover w/ 2 inserts
6 ½ x 8 ¾ in. / 138 pp / 62 b&w and 2 color
ISBN: 978-0-9897315-1-5 · Retail Price: $26.00
Andrew Lister & Matthew Stuart (Eds.)
Excitingly engaged with the complex world of visual communication, the second issue of this UK-based journal includes pieces on the sound-film work of Daphne Oram and Geoffrey Jones; monuments to Kazimir Malevich, Rosa Luxemburg, and Walter Benjamin; the relocation of a defunct bookshop from Amsterdam to Epsom; and “Agatha Christie smoking Asger Jorn’s cigar.” Picking up where BFTK 1 left off, this new issue pulls together amputated visual elements, short-form writing, distant sounds from the Lesser Antilles, and “autobio-anecdotes [sic].” Bound with signature-wrap prints bookending each eight-page section, the issue comes in a screen-printed PVC dust jacket complete with an inserted index and afterword. Still “tentative, incomplete and inconsistent,” still “in flux and liable to crack,” BFTK presents “freed … and fragmented” archival material—“reordered, recontextualized, and reclassified.” Contributors include Ryan Gerald Nelson, James Bulley, Mark Simmonds, Rose Gridneff and the Scandinavian Institute for Computational Vandalism.
March 2017 / Softcover / 6 ½ x 8 ¾ in.
84 pp with insert / 72 b&w and 12 color
ISBN: 978-0-9956835-0-1 · Retail Price: $26.00
2008 / English & Dutch / Hardcover
11 3/4 x 11 3/4 inches / 176 pp / 140 color
ISBN: 978-90-5973-074-8 · Retail Price: $98.00
100 royalty free jpeg files
2006 / Softcover with CD-ROM / 8 1/2 x 8 1/2 inches
100 pp / 100 full color
ISBN: 4-86100-419-5 · Retail Price: $59.95
100 royalty free jpeg files
2002, 2004 / Softcover with fold back flaps & CD-ROM / 8 1/2 x 8 1/2 inches
108 pp / 100 full color
ISBN: 4-86100-158-7 · Retail Price: $59.95
Effectuating Tactility and Print in the Contemporary
Freek Lomme (Ed.)
After endlessly hearing that Onomatopee publications have a materiality and tactility not often experienced in recent years, editor Freek Lomme decided to create an exhibition and publication addressing the issue of tactility and print today. The result is a palm-sized book jam-packed with information and ideas on the subject. Six contemporary artists and eight international academics and authors in the field of graphic design, materiality, theory and art explore how, in the digital age, our daily interaction with physical materials is greatly altered and how this affects us as humans. Developed in the context of fine book publishing, the project includes in-depth discussions of past printing and reproduction processes, including silkscreen, etching, Risograph, linocut, lithography and letterpress. Images are limited but texts are diverse with small reproductions accompanying the art and artist interviews. A fresh and rigorous conversation about the process and the art of bookmaking in the 21st century. Artists featured include Sema Bekirovic, Matthieu Blanchard, Lieven De Boeck, Frederic Geurts, Ulrike Mohr and Thomas Rentmeister. Texts by Lars Bang Larsen, Christopher Breu, Johanna Drucker, Alessandro Ludovico, Esther Krop / De Monsterkamer, Rik Peters and Marieke Sonneveld.
July 2016 / Softcover / 4 x 5 ¾ in.
192 pp / 40 b&w and 12 color
ISBN: 978-94-91677-38-0 · Retail Price: $20.00
Icelandic Pavilion – 54th Venice Biennale, 2011
The internationally renowned Spanish-Icelandic duo of Libia Castro and Ólafur Ólafsson bring their uniquely attentive, analytical gaze to the Icelandic Pavilion at 2011 Venice Biennale. This book, like the Venice installation, is conceived as a first comprehensive overview and in-depth analysis of more than ten years of their artistic practice, leading up to their most current works. Ólafsson and Castro are known for working in situ, tailoring their media and approach to environments ranging from museums and galleries to radio, newspapers, television and public spaces. Their collaborators can be CEOs, fortune tellers or the homeless; their sites, the streets of Istanbul or the catacombs of Naples.
October 2011 / Exhibition catalog / Softcover / 7 1/2 x 10 inches
144 pp / 80 color
ISBN: 978-1-934105-44-3 · Retail Price: $29.95